tag:blogger.com,1999:blog-40331310058490794102024-03-06T06:19:41.696+00:00Baked Goods DistributionBaked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comBlogger78125tag:blogger.com,1999:blog-4033131005849079410.post-71902411766995202522010-09-10T12:42:00.008+01:002010-09-10T13:50:21.337+01:0013th September 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-IvYimFL51LJ8_dwto9MRRD3gOT9Z3ORJ50Qh2un5g0V35-PPtfG3TjybwVuoHB7VnjdQJOm-gxbp1N1N5PsGS8xJlsvdNyfGT17SC7UyosyjAuQaNHcWHL0IzeuGZPUuczJlvKkgzWHu/s1600/BLACKEST001B.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 168px; height: 168px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-IvYimFL51LJ8_dwto9MRRD3gOT9Z3ORJ50Qh2un5g0V35-PPtfG3TjybwVuoHB7VnjdQJOm-gxbp1N1N5PsGS8xJlsvdNyfGT17SC7UyosyjAuQaNHcWHL0IzeuGZPUuczJlvKkgzWHu/s200/BLACKEST001B.jpg" alt="" id="BLOGGER_PHOTO_ID_5515254246763266930" border="0" /></a>RAIME<br /><span style="font-style: italic;">Raime EP:</span><br /><span style="font-style: italic;">A1. Retread</span><br /><span style="font-style: italic;">A2. This Foundry</span><br /><span style="font-style: italic;">B1. We Must Hunt Under The Wreckage Of Many Systems</span><br /><span style="font-weight: bold;">Blackest Ever Black 12" EP</span><br />(BLACKEST 001)<br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F4474608%3Fsecret_token%3Ds-CPeaq&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F4474608%3Fsecret_token%3Ds-CPeaq&secret_url=false" type="application/x-shockwave-flash" height="81" width="100%"></embed> </object> <span><a href="http://soundcloud.com/blackest-ever-black/raime-this-foundry-mastered">Raime - This Foundry [mastered]</a> by <a href="http://soundcloud.com/blackest-ever-black">Blackest Ever Black</a></span><br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F4477698%3Fsecret_token%3Ds-wsOl9&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F4477698%3Fsecret_token%3Ds-wsOl9&secret_url=false" type="application/x-shockwave-flash" height="81" width="100%"></embed> </object> <span><a href="http://soundcloud.com/blackest-ever-black/raime-we-must-hunt-under-the-wreckage-of-many-systems-mastered">Raime - We Must Hunt Under The Wreckage Of Many Systems [mastered]</a> by <a href="http://soundcloud.com/blackest-ever-black">Blackest Ever Black</a></span><br /><br /><span style="font-style: italic;">Blackest Ever Black is a new London-based label that seeks to re-establish electronic music as a poetic, provocative and emotionally inquisitive force. Music by artists, not engineers. Its first release is a self-titled EP by Raime, a British duo who draw explicit inspiration from the marginal mavericks of early European goth, industrial and synth wave - artists largely omitted from the current master narrative of post-punk history, and who strove to make music at once cerebral and visceral, futuristic and atavistic. Well-versed in the language of club music, but rejecting its typically rigid sequencing and arrangements, Raime use technology pensively - to convey a sense of crisis, collapse and longing. Transporting and disorienting though their work might be, it's narratively taut and has no truck whatsoever with the "cosmic"; it's too aggressive and engaged to be called psychedelic.</span><br /><br /><span style="font-style: italic;">'Retread' floats spectral plainchant across a ruthlessly pared-down, reverb-heavy drum pattern and sub-bass summoned from the deepest crypt, before unfolding into a gripping coda of suffocated woodwind, disembodied howls and billowing, baleful sheets of melody. 'This Foundry' threatens groove but never quite yields to it, its hypnotic, low-slung rhythm and eerily decaying bass sound disrupted by strafing synths and a swell of vocal textures alternately celestial and guttural. BLACKEST002, due out in November, will feature a remix of this track by Regis (Sandwell District / Downwards). </span><br /><br /><span style="font-style: italic;">A huge, martial drum tattoo dominates 'We Must Hunt Under The Wreckage Of Many Systems', the yawning space between hits striped with drones that conjure hostile pre- and post-human landscapes. The track's dark, ritualistic momentum will make sense to fans of dubstep and jungle, but the dread it evokes is singular and oblique.</span><br /><br /><span style="font-style: italic;">BLACKEST001 is a trio of bold, original essays in unease, and a welcome sign that the post-techno avant-garde is alive, angry and untethered to the dancefloor, academy or gallery space. Music for hard times.</span><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlAAi4gaH0jDi2gMhu11TIofIEZnpr5l4FEoWGD269xa4nh5xAbR-LCh4RbsbrRjWGtZORjdc8IPJSZhStWqMKDnTc1S-vy1ejwwvWIu7Wgg4X-bjRSsq9DAc71m-SBmOuRZx8DOVkSZmJ/s1600/Mean019.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 171px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlAAi4gaH0jDi2gMhu11TIofIEZnpr5l4FEoWGD269xa4nh5xAbR-LCh4RbsbrRjWGtZORjdc8IPJSZhStWqMKDnTc1S-vy1ejwwvWIu7Wgg4X-bjRSsq9DAc71m-SBmOuRZx8DOVkSZmJ/s200/Mean019.jpg" alt="" id="BLOGGER_PHOTO_ID_5515254838807356706" border="0" /></a>MURMUR<br /><span style="font-style: italic;">Fume EP:</span><br /><span style="font-style: italic;">A1. Tangle</span><br /><span style="font-style: italic;">A2. Fumes</span><br /><span style="font-style: italic;">B1. Fumes (PCB 3000 Mix)</span><br /><span style="font-weight: bold;">meanwhile. 12"</span><br />(MEAN 019)<br /><br /><br /><br /><span style="font-style: italic;">Murmur return with a brace of killers, their first new material since MEAN 011's split release with Bovill back in 2008. Over the course of the half dozen years since beginning their Meanwhile imprint, Murmur's output has been so sparing, evanescent, and epitomising the label's low-key approach to steppers house music and horizontal techno with an implicit electronic beatdown sound, that acknowledges their pitched down sound, so heavily influenced by their early South African adventures and exploits. </span><br /><br /><span style="font-style: italic;">'</span><span style="font-style: italic;">Tangle' is a case in point, effortlessly, deployed house music for bubblers, one for those who know and understand how to build a true dance music session from the ground up. Murmur give the machines a thorough going over on the title cut 'Fume', ever so restrained and beatless it has been offered up to the Pendle Coven Breakers (PCB) to work some on the bass and drum undercarriage.</span><br /><br /><span style="font-style: italic;">Miles Whittaker and Gary Howell come through in fine style with a beautiful, controlled and yet understated rub of 'Fumes'. True steppers rollidge for warm up session teasing and tickling bigger systems: leaving still ample room for low-end exploration and with a most supreme build to it. that is just perfectly weighted. </span><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsvCCyWjb4jcXmeQJQ9lPxpCnHlzztU8R2rc5nHWTRkCEaRJTgIFkGXkydmSDa1NcFYPZZBUR9LnW4aiBqb2X1krZZNiPir548xOoipqvGe3pucmLeT-eIt1SyEzl6FYbAbZIds9tS7njm/s1600/MIACD013.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsvCCyWjb4jcXmeQJQ9lPxpCnHlzztU8R2rc5nHWTRkCEaRJTgIFkGXkydmSDa1NcFYPZZBUR9LnW4aiBqb2X1krZZNiPir548xOoipqvGe3pucmLeT-eIt1SyEzl6FYbAbZIds9tS7njm/s200/MIACD013.jpg" alt="" id="BLOGGER_PHOTO_ID_5515256683635332162" border="0" /></a>MARKUS FJELLSTROM<br /><span style="font-style: italic;">Schattenspieler</span><br /><span style="font-weight: bold;">Miasmah CD</span><br />(MIACD 013)<br /><object height="305" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F242262%3Fsecret_token%3Ds-1uOJU&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F242262%3Fsecret_token%3Ds-1uOJU&secret_url=false" type="application/x-shockwave-flash" height="305" width="100%"></embed> </object> <span><a href="http://soundcloud.com/miasmah/sets/marcus-fjellstrom-schattenspieler">Marcus Fjellström - Schattenspieler</a> by <a href="http://soundcloud.com/miasmah">miasmah</a></span><br /><br /><span style="font-style: italic;">Swedish composer and multimedia artist Marcus Fjellström's debut Miasmah release follows two critically acclaimed full length albums on Lampse (2006's 'Gebrauchsmusik' and 2005's 'Exercises In Estrangement'). In addition Marcus has had several commissioned works requested, leading to him working with, among others, the Swedish Royal Ballet, the Scottish Chamber Orchestra, numerous ensembles, soloists and filmmakers including 'Salad Fingers' creator David Firth. Currently based in Berlin, Fjellström's compositions often combine aspects of modern classical composition and arrangement and more avant forms of music, be that acoustic or electronic.</span><br /><br /><span style="font-style: italic;"> 'Schattenspieler' (which translates as 'Shadowplayer') takes the form of eleven compositions which explore ambience and melody, texture and silence. Haunting synth and orchestral instrument-based audio constructions, flowing from one moment to the next - the fleeting ghosts of Fjellström's melodies rise, only to be buried under a claustrophobic clutter of percussion and creaking background noise. These pieces do indeed feel like you're listening to something more implied than obviously stated, as if Fjellström wants only to expose us to the shadow of the music - the implication being perhaps a more terrifying experience than to be confronted outright…listen to 'Schattenspieler' and you may find your mind starts to play tricks on you…</span><br /><br /><span style="font-style: italic;">The undeniably Angelo Badalamenti-esque descending synth strings of opening track 'The Disjointed', lay the foundations for Fjellström's 'Schattenspieler' album; music resting somewhere between the unsettling horror soundtracks of Jerry Goldsmith, the elevating melodies of Cliff Martinez, and the subtle audio constructions of Miasmah label mates Kreng and Jacaszek. Marcus' wide ranging abilities in composition and his willingness to let go of accepted form and function makes 'Schattenspieler' a perfect choice of release for the Miasmah label. The suspense laden 'Antichrist Architechture Management', with its harrowing and tense undertones, weaving synth lines and a wash of static hiss and flicker, is a particular standout track. Despite it's a strangely oppressive sound, shafts of light grace 'Schattenspieler'; pieces such as 'Untitled 090616' find gorgeous melodies are boxed in by unsettling arrangements and sparse background ambience. There is a coldness to many of these compositions - not without emotion, but somehow remorseless. 'Schattenspieler' is, for the main part, a defiantly bleak journey. </span><br /><br /><span style="font-style: italic;">'Schattenspieler' also includes a four part suite 'House Without A Door' (tracks six to nine), which was originally commissioned for the Bernd Behr film of the same name. Album closer 'Uncanny Valleys', reflective in some ways of the opening track, is a haze of descending synth and organ tones. The imperfections in these often scratchy recordings makes for an alluring, almost drug- induced state of mind where all that is real is unreal. Doom-not-doom? Well, not perhaps so easy to label…it's safe to say though, as a well grounded modern composer, Fjellström's created something of a suitably appropriate monster in 'Schattenspieler'. </span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs5oF7C7zzlGopbG3Zjbe6nx3B-jL8DbwG7DL0vbrlReRS0YgykP37HZOXy7wjdn8XDsgVIPF4_pM6l9gUtyX-5hVncOGZ9OWO-1enuCQpGaHU3Wx2d1Uu4aG8ZD05d867674NLA0DCZom/s1600/TEC040A.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 169px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs5oF7C7zzlGopbG3Zjbe6nx3B-jL8DbwG7DL0vbrlReRS0YgykP37HZOXy7wjdn8XDsgVIPF4_pM6l9gUtyX-5hVncOGZ9OWO-1enuCQpGaHU3Wx2d1Uu4aG8ZD05d867674NLA0DCZom/s200/TEC040A.jpg" alt="" id="BLOGGER_PHOTO_ID_5512679471730345042" border="0" /></a>PINCH<br /><span style="font-style: italic;">A. The Boxer</span> <span style="font-style: italic;"><br />AA. The Boxer (DARQWAN Remix)</span><br /><span style="font-weight: bold;">Tectonic 12"</span><br />(TEC 040)<br /><br /><br /><br /><br /><br /><object height="225" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F250666%3Fsecret_token%3Ds-ZQC1A&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F250666%3Fsecret_token%3Ds-ZQC1A&secret_url=false" type="application/x-shockwave-flash" height="225" width="100%"></embed> </object> <span><a href="http://soundcloud.com/multiverse/sets/pinch-the-boxer-tectonic-tec040">Pinch "The Boxer" Tectonic TEC040</a> by <a href="http://soundcloud.com/multiverse">Multiverse</a></span><br /><span style="font-style: italic;"><br />Pinch is back with a heavy hitting, dancefloor punishing beast of a track - 'The Boxer'. Ethereal sounds emerge from another dimension as a filtered conga pattern charges up, leading us to the punchline... POW! It's a full fist in the jaw. Flip for darkside garage legend Darqwan's version as he mangles the original into something that sounds like metal being torn apart by big machines.<br /><br /></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWOP-vyoK8XEspjKNGDF0VhNrfXP6asdtG9TOocGOFH3-CAoB0DSPrB0KlQeT67fDGPHZvWlAvO4HfpE3B8Mient8O3cBTRZs-Q8Xnp2jHGGH-d5W1Sx0MI2JikSKkytZfpcN2PfNiXg53/s1600/CR1201.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 169px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWOP-vyoK8XEspjKNGDF0VhNrfXP6asdtG9TOocGOFH3-CAoB0DSPrB0KlQeT67fDGPHZvWlAvO4HfpE3B8Mient8O3cBTRZs-Q8Xnp2jHGGH-d5W1Sx0MI2JikSKkytZfpcN2PfNiXg53/s200/CR1201.jpg" alt="" id="BLOGGER_PHOTO_ID_5515256507835316754" border="0" /></a>THE RAAH PROJECT<br /><span style="font-style: italic;">Trick Of The Light - CESSA Remixes: </span><br /><span style="font-style: italic;">A. Trick Of The Midnight Mix</span><br /><span style="font-style: italic;">B. Trick Of The Late Night Mix</span><br /><span style="font-weight: bold;">white label 12"</span><br />(CR 1201)<br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F4871480%3Fsecret_token%3Ds-NFdmd&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F4871480%3Fsecret_token%3Ds-NFdmd&secret_url=false" type="application/x-shockwave-flash" height="81" width="100%"></embed> </object> <span><a href="http://soundcloud.com/cessa/trick-of-the-midnight-raah-project-cessa-remix">Trick of the midnight (RAaH Project - Cessa Remix)</a> by <a href="http://soundcloud.com/cessa">cessa</a></span><br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F4871868%3Fsecret_token%3Ds-U6tba&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F4871868%3Fsecret_token%3Ds-U6tba&secret_url=false" type="application/x-shockwave-flash" height="81" width="100%"></embed> </object> <span><a href="http://soundcloud.com/cessa/trick-of-the-late-night-raah-project-cessa-remix">Trick of the Late night (RAaH Project - Cessa Remix)</a> by <a href="http://soundcloud.com/cessa">cessa</a></span><br /><br /><span style="font-style: italic;">Already gaining heavy plays from sceneleaders Floating Points, SBTRKT and with rinseage everywhere from Ronnie Scotts to Fabric, these are two white label only secret weapons - versions straight from the epicentre of the London scene. Utilising a trace element of the Rah Project's stunning 'Trick of the Light' vocal and building two entirely new tracks around them - the producer in question somehow manages to traverse flexier funkier movements, weighted bollywood style string swells, with more gorgeous teched up and dubbed down beat feelings - killer twelve, not with us for long, be quick!</span><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiamJcMRLjfS62XnZY2KNsuIiL12uAgIiqrHNL9gbjCojWyVY5c3L9szutz6stgTMzsEO7Bq1Yex8xcbgZALimL4uk8T57XG9bh7iIW8uC4YZa2RIfhQvT-M7W3KTqTB_ia7SP5AY0Lf0Vp/s1600/Ime021.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiamJcMRLjfS62XnZY2KNsuIiL12uAgIiqrHNL9gbjCojWyVY5c3L9szutz6stgTMzsEO7Bq1Yex8xcbgZALimL4uk8T57XG9bh7iIW8uC4YZa2RIfhQvT-M7W3KTqTB_ia7SP5AY0Lf0Vp/s200/Ime021.jpg" alt="" id="BLOGGER_PHOTO_ID_5515257178264203602" border="0" /></a>SIMON/OFF<br />A. Forever<br /><span style="font-style: italic;">AA1. No Pills</span><br /><span style="font-style: italic;">AA2. On Arrete Tout</span><br /><span style="font-weight: bold;">Immerse 12" </span><br />(IME 021) <br /><object height="145" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F224967%3Fsecret_token%3Ds-LOUkv&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F224967%3Fsecret_token%3Ds-LOUkv&secret_url=false" type="application/x-shockwave-flash" height="145" width="100%"></embed> </object> <span><a href="http://soundcloud.com/immerserecords/sets/ime021">ime021</a> by <a href="http://soundcloud.com/immerserecords">immerserecords</a></span><br /><br /><span style="font-style: italic;">Jazz and Latin-spiked dubstep experiments from Austrian producer, Simon/Off. He's previously released on Haunted Audio and Surface Tension before dropping the propulsive A-side 'Forever' with warm jazz chords and a forward 4/4 momentum. On the flip 'No Pills' goes on a Latin-inspired broken house jaunt and 'On Arrête Tout' rounds out a breaks-inspired dubstep groove. For fans of Hessle Audio, 4 Hero and the Mindset crew.</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-31479501278816123372010-09-03T14:08:00.008+01:002010-09-03T14:44:45.884+01:006th September 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDp7CKtJi-Zb8orZVQySz29sK26cVmLSQts5RCvagt6eAXk9JnL9i5kgJLua431gkEae1GWBwrqqwV6fNHt_2N8XRwQGJd6jYEjbrtr3DJV9OjI3c82hIqB8Ko0RsTCIN-MexbrxrjB-zA/s1600/P&P100A.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 171px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDp7CKtJi-Zb8orZVQySz29sK26cVmLSQts5RCvagt6eAXk9JnL9i5kgJLua431gkEae1GWBwrqqwV6fNHt_2N8XRwQGJd6jYEjbrtr3DJV9OjI3c82hIqB8Ko0RsTCIN-MexbrxrjB-zA/s200/P&P100A.jpg" alt="" id="BLOGGER_PHOTO_ID_5512679702149389698" border="0" /></a>PINCH & PAVEL AMBIONT<br /><span style="font-style: italic;">A. Jelly Bean</span> <span style="font-style: italic;"><br />AA. Poison/Remedy</span><br /><span style="font-weight: bold;">P&P 12" </span><br />P&P100<br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1149651%3Fsecret_token%3Ds-mMjoJ&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1149651%3Fsecret_token%3Ds-mMjoJ&secret_url=false" type="application/x-shockwave-flash" height="81" width="100%"></embed> </object> <span><a href="http://soundcloud.com/pavel_ambiont/poison-remedy">poison / remedy (pinch & pavel ambiont)</a> by <a href="http://soundcloud.com/pavel_ambiont">pavel ambiont</a></span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVpnZxnSCKEck8spogXqdCh2m3QXUw0nmLhVAiydHZhtX0ngBUTtND81zC_5kf6m-0LoHP2VB4Ywl-H6m3ZPK32NtJzQyGZxYbKZGohPaT2Gj8ULFGgo_wuDelZeX0loFBGw8R6u8fMdiI/s1600/whitebox006.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVpnZxnSCKEck8spogXqdCh2m3QXUw0nmLhVAiydHZhtX0ngBUTtND81zC_5kf6m-0LoHP2VB4Ywl-H6m3ZPK32NtJzQyGZxYbKZGohPaT2Gj8ULFGgo_wuDelZeX0loFBGw8R6u8fMdiI/s200/whitebox006.jpg" alt="" id="BLOGGER_PHOTO_ID_5512679586770082370" border="0" /></a>ARKHONIA<br /><span style="font-style: italic;">Trails / Traces</span><br /><span style="font-weight: bold;">White Box CD</span><br />(WHITEBOX 006)<br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F3761234%3Fsecret_token%3Ds-DXu86&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F3761234%3Fsecret_token%3Ds-DXu86&secret_url=false" type="application/x-shockwave-flash" height="81" width="100%"></embed> </object> <span><a href="http://soundcloud.com/whitebox/whitebox006-arkhonia-fyldeff">WHITEBOX006 - Arkhonia 'FyldeFF'</a> by <a href="http://soundcloud.com/whitebox">whitebox</a></span><br /><br /><span style="font-style: italic;">This is a collection of drone based, slow moving progressions, all realized without the use of any live instrumentation, or any trained musical ear. Small fragments of sound have been stretched, edited, filtered, reduced and manipulated to create an often barren and solitary sonic landscape. The source materials have been either expanded from a limited input (a couple of Fender Rhodes notes into tracks 2, 3 & 4), broken down and transformed into something entirely distinct from its origin (a few picked acoustic guitar chords on FyldeFF), or transmuted into a bold and dark shadow of its former self (a snippet of a live recording of a Liondialer pub gig into GDLadyburn) – all collated into one seamless sequence. </span><br /><br /><span style="font-style: italic;">Arkhonia’s music is indeed a peculiar animal. And it’s a deep, deep listening experience which plunges the listener further into states of subconscious unrest – time slows down or stops, as the listener slowly slips into a narcoleptic state through the slow decline into computer noise (BCTrails/CDTraces), or sound events which unfold with no discernable pattern or meaning (Events/Non-Events). But rather than offering a monotonous serial drone, these tracks create an overall landscape, alternately dank and warm to the point of humidity, and cold, stark and sparse, all eventually dissipating into nothingness as the album closes, reprising the pulses and washes of its opening. </span><br /><br /><span style="font-style: italic;">These tracks have been very consciously constructed, with edits and segments extracted from outputted ‘drift studies’ (with a knowing nod to both LaMonte Young and Brian Eno) that often run for an hour or so, and then dissected for key musical components. These explorations focus on ideas of musical ‘events and non-events’; subdued harmonic monotones and stasis contrasting with huge dynamic surges of processed tones - insistent, at times bordering on the subsonic, and tonally identifiable as Arkhonia’s distinctly digital sound signature.</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-92196184228874821342010-09-03T13:32:00.008+01:002010-09-03T14:08:32.239+01:0030th August 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMqfs7MSe-mUqWITX9PXpB7elRPMmNnPeDbgNK7mkhcSD-i-59zPt2O0maMu8kcHbMz53V-fAMmVQlZ7CsfnlmYexRxCE33nWVPaOZr4EIHPZ_p94UIvfnvSARjWeVY5qSexnI5muk9Tts/s1600/CVAN014B.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMqfs7MSe-mUqWITX9PXpB7elRPMmNnPeDbgNK7mkhcSD-i-59zPt2O0maMu8kcHbMz53V-fAMmVQlZ7CsfnlmYexRxCE33nWVPaOZr4EIHPZ_p94UIvfnvSARjWeVY5qSexnI5muk9Tts/s200/CVAN014B.jpg" alt="" id="BLOGGER_PHOTO_ID_5512667035298654290" border="0" /></a>OCTOBER & EWAN PEARSON<br /><span style="font-style: italic;">That Placid Track</span>:<br /><span style="font-style: italic;">A. Original Mix</span><br /><span style="font-style: italic;">B. Ewan Pearson's Mr Meek Goes To Offenbach Remix</span><br /><span style="font-weight: bold;">Caravan 12"</span><br />(CVAN 014)<br /><object height="225" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F245638%3Fsecret_token%3Ds-gPBRU&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F245638%3Fsecret_token%3Ds-gPBRU&secret_url=false" type="application/x-shockwave-flash" height="225" width="100%"></embed> </object> <span><a href="http://soundcloud.com/multiverse/sets/october-that-placid-track-ewan-pearson-remix">October "That Placid Track" + Ewan Pearson remix OUT NOW</a> by <a href="http://soundcloud.com/multiverse">Multiverse</a></span><br /><br /><span style="font-style: italic;">OK people – it’s our pleasure to present to you a brand new track from label boss October aka Julian Smith. </span><br /><br /><span style="font-style: italic;">"That Placid Track" has been in the hands of some lucky individuals for some time now, making its way across dancefloors from Berlin to New York, Bristol to Tokyo.</span><br /><span style="font-style: italic;">Dark disco references are heavy throughout with a great use of strings licks, a slo-motion vocal sample and a classic cowbell keeping everything nicely in check. As with most of October's productions though he still has one foot firmly inside "Berghain"</span><br /><span style="font-style: italic;">rendering this essentially disco track into something with more of a late night,</span><br /><span style="font-style: italic;">broody edge. </span><br /><br /><span style="font-style: italic;">On remix duties is the legend that is Ewan Pearson who really needs no introduction. Suffice it to say that we are honoured to have such an esteemed producer on board for this release whose previous remixes include those for the likes of Depeche Mode, The Rapture, Goldfrapp, and The Chemical Brothers. We also thank him heartedly for taking time out from an unbelievably busy schedule producing albums for Tracey Thorn & Delphic to put him name to this October original AND pulling in the skills of his man Sasse Lindblad to assist with the mix.</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRysDL0rUlq0mlRaAUiQeny2FRZxRDjh8M8m8DGoq7WBeKCIVV176kjacLHhMT07cuOJNqIAVFLOT3BQyvn8uMur0YUTImeGjdJkF3U3E8bGQk5loay6Z08XGpyb6qWzhoQf6UioitIotW/s1600/PTF012_fabio.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 169px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRysDL0rUlq0mlRaAUiQeny2FRZxRDjh8M8m8DGoq7WBeKCIVV176kjacLHhMT07cuOJNqIAVFLOT3BQyvn8uMur0YUTImeGjdJkF3U3E8bGQk5loay6Z08XGpyb6qWzhoQf6UioitIotW/s200/PTF012_fabio.jpg" alt="" id="BLOGGER_PHOTO_ID_5512667217694148370" border="0" /></a>FABIO ORSI<br /><span style="font-style: italic;">Random Shades Of Day</span><br /><span style="font-weight: bold;">Privileged To Fail 3CD</span><br />(FAIL 012)<br /><br /><br /><br /><br /><br /><br /><span style="font-style: italic;">Fabio Orsi has been winning the hearts of many listeners over the past few years with both his solo and collaboration releases. It's not often I find a new artist that interests me, and since my first listen to 'before long, before anyone, the stars will be walls in my mind' I've been hooked.</span><br /><br /><span style="font-style: italic;">This set includes two CDs of previously unreleased and out-of-print material spanning Fabio Orsi's career. Drones, keyboard, guitar, distant vocals and field recordings can be found over the first two discs. Included are Fabio Orsi's first EP (I'm Here), 1000 Days Red, Faded on the Blowing of Winter, six previously unreleased tracks and more.</span><br /><br /><span style="font-style: italic;">CD3 is a brand new full length record entitled 'Random Shades of Day'. This new full length continues on from 'Wild Light of the Moon' with beautiful drones and relaxing ambience. This is easily some of my favourite work that Fabio has ever done, and Part III is also some of his darkest.</span><br /><br /><span style="font-style: italic;">Easily the finest release to date.</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrBpI3IQZKp1_OWpLx1608PIiyBdWGY4SDA8XhvZDcKZ3ngC1kF0ZrdNeuwKTde_TU0L6LCYdcqW8qX4xyQeoIfRHLufkj5d-x61rISnZOQVyjgYxzi1_s7gIP1RDFlpfZVoPM2A5IEjn7/s1600/IME019PT1B.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrBpI3IQZKp1_OWpLx1608PIiyBdWGY4SDA8XhvZDcKZ3ngC1kF0ZrdNeuwKTde_TU0L6LCYdcqW8qX4xyQeoIfRHLufkj5d-x61rISnZOQVyjgYxzi1_s7gIP1RDFlpfZVoPM2A5IEjn7/s200/IME019PT1B.jpg" alt="" id="BLOGGER_PHOTO_ID_5512670735322576034" border="0" /></a>LATE<br /><span style="font-style: italic;">A. Losing You<br />AA. Under These Conditions</span><br /><span style="font-weight: bold;">Immerse 12"</span><br />(IME 019PT1)<br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F2869193%3Fsecret_token%3Ds-66id7&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F2869193%3Fsecret_token%3Ds-66id7&secret_url=false" type="application/x-shockwave-flash" height="81" width="100%"></embed> </object> <span><a href="http://soundcloud.com/immerserecords/late-losing-you">Late - Losing You</a> by <a href="http://soundcloud.com/immerserecords">immerserecords</a></span><br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F2869194%3Fsecret_token%3Ds-Fgcz1&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F2869194%3Fsecret_token%3Ds-Fgcz1&secret_url=false" type="application/x-shockwave-flash" height="81" width="100%"></embed> </object> <span><a href="http://soundcloud.com/immerserecords/late-under-these-conditions">Late - Under These Conditions</a> by <a href="http://soundcloud.com/immerserecords">immerserecords</a></span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-56207315713483004522010-08-20T16:39:00.006+01:002010-08-20T17:00:34.787+01:0023rd August 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirTY91x28ibNDG866ytLJTXod2DokehRbpClAKeh4kyDDvBkIdyTf5Si6tuAVrl1AQLjid05BgDHYVWHRWjVo5MWuLTLgiLO-UUBHDXNhupSVTzl38THOMpGekziIfcTA7pS_nDQPwuPlm/s1600/ORCA002B.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirTY91x28ibNDG866ytLJTXod2DokehRbpClAKeh4kyDDvBkIdyTf5Si6tuAVrl1AQLjid05BgDHYVWHRWjVo5MWuLTLgiLO-UUBHDXNhupSVTzl38THOMpGekziIfcTA7pS_nDQPwuPlm/s200/ORCA002B.jpg" alt="" id="BLOGGER_PHOTO_ID_5507519025070461538" border="0" /></a>HYETAL<br /><span style="font-style: italic;">A. Phoenix</span> <span style="font-style: italic;"><br />AA. Like Silver</span><br /><span style="font-weight: bold;">Orca 12"</span><br />(ORCA 002)<br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fwilliam-orca%2Fhyetal-phoenix-002&secret_url=false"></param> <param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fwilliam-orca%2Fhyetal-phoenix-002&secret_url=false" type="application/x-shockwave-flash" width="100%"></embed> </object> <span><a href="http://soundcloud.com/william-orca/hyetal-phoenix-002">Hyetal - Phoenix - 002</a> by <a href="http://soundcloud.com/william-orca">william orca</a></span> <br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fwilliam-orca%2Fhyetal-like-silver-002&secret_url=false"></param> <param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fwilliam-orca%2Fhyetal-like-silver-002&secret_url=false" type="application/x-shockwave-flash" width="100%"></embed> </object> <span><a href="http://soundcloud.com/william-orca/hyetal-like-silver-002">Hyetal - Like Silver - 002</a> by <a href="http://soundcloud.com/william-orca">william orca</a></span> <br /><br /><span style="font-style: italic;">Following the success and great reception for its XI and Headhunter debut release, Orca Recordings is back to deliver its highly anticipated second instalment; this time from Bristol-based producer, Hyetal.</span><span style="font-style: italic;"><br /><br />Whilst many of his peers cite influences from early garage and jungle, Hyetal’s musical backgrounds stem from a different collection of genres. After playing bass for several bands in his youth, Hyetal’s love of hiphop producers like J Dilla and DJ Premier, led him to purchase an MPC 2000 so he could try his hand at emulating their beats in the same way. This unusual path has led Hyetal to create a completely unique sound, which when paired with elements of UK bass music, giving a welcomed dose of originality to the scene.</span><span style="font-style: italic;"><br /><br />In an unbelievable year, Hyetal has seen releases on seminal labels such as Punch</span> <span style="font-style: italic;">Drunk Records, Soul Motive and Planet Mu. Now, we’re proud to announce that the tracks to be released on Orca Recordings are ‘Phoenix’ and ‘Like Silver’. ‘Phoenix’ is arguably Hyetal’s boldest attempt at production so far, drawing heavy influence from 80’s classics from Prince and even Phil Collins. Hyetal’s trademark synth work is apparent from the start, with several different tones and leads switching up the vibe throughout the track. On the drop, the combination of the classic snare soaked in reverb and the irresistible chord progression, ‘Phoenix’ is set to drop as a large summer anthem for 2010.</span><span style="font-style: italic;"><br /><br />On the flip, ‘Like Silver’ carries a much more relaxed vibe. With a multitude of layers</span> <span style="font-style: italic;">of intricate synth work combined with a blend of organic, rolling percussion, ‘Like Silver’ is a</span> <span style="font-style: italic;">perfect tune for the headphones or the DJs who like to take it a little bit deeper.</span><br /><br /><span style="font-style: italic;">Strong DJ support has come from across the board, and includes: Mary Anne Hobbs,</span> <span style="font-style: italic;">Untold, Jackmaster, Ben UFO, Appleblim, Ramadanman, Peverelist amongst many more...</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxHSa14nVJbVRlwA5_dzzR6iZPuw55fb1feOXFOfA35DxQ6gAtvezEcDWMtv90tkkZta9zzYxE_FoH_i6ZjqOX5zrtPvhla_a3RbEvMfs7Dl4FhpkEN6i9RTVroFutqceqUoxuxyhiicsN/s1600/7EVEN16A.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 169px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxHSa14nVJbVRlwA5_dzzR6iZPuw55fb1feOXFOfA35DxQ6gAtvezEcDWMtv90tkkZta9zzYxE_FoH_i6ZjqOX5zrtPvhla_a3RbEvMfs7Dl4FhpkEN6i9RTVroFutqceqUoxuxyhiicsN/s200/7EVEN16A.jpg" alt="" id="BLOGGER_PHOTO_ID_5507519375649884898" border="0" /></a>LIKHAN<br /><span style="font-style: italic;">A. Boston</span><br /><span style="font-style: italic;">AA. Boxin'</span><br /><span style="font-weight: bold;">7EVEN 12"</span><br />(7EVEN 016)<br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2F7evenrecordings%2Flikhan-boston&secret_url=false"></param> <param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2F7evenrecordings%2Flikhan-boston&secret_url=false" type="application/x-shockwave-flash" width="100%"></embed> </object> <span><a href="http://soundcloud.com/7evenrecordings/likhan-boston">Out now: LIKHAN' - Boston (7EVEN16)</a> by <a href="http://soundcloud.com/7evenrecordings">7evenrecordings</a></span> <br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2F7evenrecordings%2Flikhan-boxin&secret_url=false"></param> <param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2F7evenrecordings%2Flikhan-boxin&secret_url=false" type="application/x-shockwave-flash" width="100%"></embed> </object> <span><a href="http://soundcloud.com/7evenrecordings/likhan-boxin">Out now: LIKHAN' - Boxin (7EVEN16)</a> by <a href="http://soundcloud.com/7evenrecordings">7evenrecordings</a></span> <br /><br /><span style="font-style: italic;">LIKHAN’ is the author of three sold out twelves on 7even Recordings, including the first release on the label ‘Terre / Uwill’ and recent classics such as ‘Qumran’ and ‘Redlight’. Al last he's back on wax in 2010 with ‘Boxin’ and ‘Boston’, offering us two of his best Dub House / Dubbage cuts for all the onethirty crew.</span> <span style="font-style: italic;"><br /><br />Pioneer of bass music in France for almost 10 years now, his productions have always ignored borders and have been recognized for their melodic quality and musicality. Notably supported by Mala Digital Mystikz on his Dubstep productions, this true underground artist is constantly innovating in the studio.</span><span style="font-style: italic;"><br /><br />Blending House and Garage flavours to massive basslines and Dub skanks, delays and echoes, ‘Boxin’ and ‘Boston’ are unique tracks, and as usual with LIKHAN’, impossible to label.</span><span style="font-style: italic;"><br /><br />The London players have already adopted them for their turntables: T.Williams and Don Morris from Deep Teknologi, DJ IC and Slackk are currently rinsing ‘Boxin’ and ‘Boston’ at their shows and on Rinse FM. LIKHAN is definitely back! </span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-89939803568482055222010-08-20T16:31:00.003+01:002010-08-20T17:02:16.235+01:0016th August 2010 Release<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjvrFUIkWJkPgL3cg-IidKS1yVLig-AIJrLYNQu-pYPXtZJ8hLoAhi0rPlx8M7padc1DVe630wdqHY3rXP0ifbefOeYKVgqi7G2WQrW7rcfKxekblZuz1MugPZTpnvEclqhD_NXkN22zzB/s1600/IME020.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjvrFUIkWJkPgL3cg-IidKS1yVLig-AIJrLYNQu-pYPXtZJ8hLoAhi0rPlx8M7padc1DVe630wdqHY3rXP0ifbefOeYKVgqi7G2WQrW7rcfKxekblZuz1MugPZTpnvEclqhD_NXkN22zzB/s200/IME020.jpg" alt="" id="BLOGGER_PHOTO_ID_5507516534661764482" border="0" /></a>CLOAK & DAGGER<br /><span style="font-style: italic;">A. Crimewaves</span> <span style="font-style: italic;"><br />AA. In The Cut</span><br /><span style="font-weight: bold;">Immerse 12"</span><br />(IME 020) <br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fimmerserecords%2Fcloak-dagger-crimewaves&secret_url=false"></param> <param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fimmerserecords%2Fcloak-dagger-crimewaves&secret_url=false" type="application/x-shockwave-flash" width="100%"></embed> </object> <span><a href="http://soundcloud.com/immerserecords/cloak-dagger-crimewaves">Cloak & Dagger - Crimewaves</a> by <a href="http://soundcloud.com/immerserecords">immerserecords</a></span> <br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fimmerserecords%2Fcloak-dagger-in-the-cut&secret_url=false"></param> <param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fimmerserecords%2Fcloak-dagger-in-the-cut&secret_url=false" type="application/x-shockwave-flash" width="100%"></embed> </object> <span><a href="http://soundcloud.com/immerserecords/cloak-dagger-in-the-cut">Cloak & Dagger - In the Cut</a> by <a href="http://soundcloud.com/immerserecords">immerserecords</a></span> <br /><br /><span style="font-style: italic;">Immerse Records spread their wings and hook up with Tokyo based Cloak & Dagger for this stunning debut release. Bristol based Immerse Records are truly on fire at the moment dropping release after release of quality music that draws on the best of dubstep, garage, techno, electronic music and beyond to create a unique and eclectic output that defies simple genre classifications. The recent incredible single from Late is now followed up with a release from a brand new artist, Cloak & Dagger.</span><br /><br /><span style="font-style: italic;">Cloak & Dagger is the work of one Evan Gach, a resident of Japan's capital city, Tokyo, Beyond this little is known about this new production talent but one thing is clear, he has an ear for great music as this inaugural release clearly demonstrates.</span><br /><br /><span style="font-style: italic;">The title of the A side cut 'Crimewaves' may invoke visions of a dystopian urban landscape but in reality the music contained within its frequency bound walls is set to transport you to a jazz drenched utopia. Warm Rhodes piano lines and retro keys lay the groundwork for some funk fueled breaks and energetic percussion giving this record a depth of character that is hugely appealing. This is a perfect fusion of new & old, melodic & electronic, light and dark & light again; wonderful stuff and totally timeless. The flipside 'In the Cut' is a broodier affair, setting the scene with subtle understated drums which are bedrock for some intense sub bass action. Tech inspired pads and delayed stabs intertwine with the spacious percussion creating an ethereal and floating vibe that is constantly unpinned by the floorshaking bottom end! Dark and beautiful. Immerse is a celebration of great music and this is another piece in ever impressive story…</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-58282237202334464002010-08-09T16:20:00.006+01:002010-08-09T16:38:08.753+01:009th August 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_FmxXqxBPr27LnMj3Cc6slE2e16sVAXsWoReD4ZcCKDV-eBIMEkar8xX9SgjfyPYRn_4N1GHkAxwDUICR1ATQlvrD_qCQGG-5rh0lUIJhoEtz7zDPykYA7M9UhtV8U0K3XgkprmMTn6uF/s1600/CH77-Fabulous.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_FmxXqxBPr27LnMj3Cc6slE2e16sVAXsWoReD4ZcCKDV-eBIMEkar8xX9SgjfyPYRn_4N1GHkAxwDUICR1ATQlvrD_qCQGG-5rh0lUIJhoEtz7zDPykYA7M9UhtV8U0K3XgkprmMTn6uF/s200/CH77-Fabulous.jpg" alt="" id="BLOGGER_PHOTO_ID_5503431826930244738" border="0" /></a>FABULOUS DIAMONDS<br /><span style="font-style: italic;">Fabulous Diamonds II</span><br /><span style="font-weight: bold;">Chapter Music CD</span><br />(CH 077)<br /><br /><br /><br /><br /><br /><br /><span style="font-style: italic;">"Melbourne, Australia's Fabulous Diamonds specialize not so much in songs but in pools of unease. " Pitchfork</span><br /><br /><span style="font-style: italic;">Melbourne duo Fabulous Diamonds are an odd pair. They make overtly hypnotic music, full of lulling, sensual repetition, but there’s also an edge of irritation, an undercurrent of friction that cuts through the drone and propels the songs forward.</span><br /><br /><span style="font-style: italic;">Second album Fabulous Diamonds II by Fabulous Diamonds begins with drummer/vocalist Nisa Venerosa yelling at keyboardist Jarrod Zlatic as he counts in the first track, but they still start together in perfect unison. It’s this combination of tension and intuitive understanding that makes Fabulous Diamonds so special.</span><br /><br /><span style="font-style: italic;">They have been playing and arguing together for more than five years now, and their musical bond has grown deeper and more expansive since their 2008 self-titled debut. That album made it into revered UK mag The Wire’s top albums of the year, and got glowing reviews from the likes of Pitchfork and The Fader.</span><br /><br /><span style="font-style: italic;">But this new record is still a remarkable development. Of its five untitled tracks, two extend well past the ten minute mark, sustaining a kind of grumpy intensity that never lags. The album was recorded with budding producer Mikey Young of Eddy Current Suppression Ring, and was mastered by Qua’s Cornel Wilczek. Like their first album, it will be released on vinyl by venerable US label Siltbreeze, home to releases by the likes of Pink Reason, Times New Viking and Psychedelic Horseshit.</span><br /><br /><span style="font-style: italic;">Fabulous Diamonds toured the US in 2008 with the latter two bands, playing 26 dates in one month. In 2009 they were invited to perform at Belgium’s Kraak Festival alongside Wavves, Kurt Vile and others. They also played in the UK, Holland, France, Switzerland Portugal and Sweden on their 2009 European tour. In Australia the band have played with Deerhunter, the Horrors, Akron Family, Beach House and many more.</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYcd5c-NvOCo8hQ8ySa5MsCpezc55TOPYxiSsNay2XGecLfU3qpj1dZp9i1tsEHUfWTQKvY75l7BtFY7XEKKV3qdzJdTVlwplYzfM_93AX-8kftBoHrc64wz12glx0KTh31KJ-A2ozezC0/s1600/Duotoon.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYcd5c-NvOCo8hQ8ySa5MsCpezc55TOPYxiSsNay2XGecLfU3qpj1dZp9i1tsEHUfWTQKvY75l7BtFY7XEKKV3qdzJdTVlwplYzfM_93AX-8kftBoHrc64wz12glx0KTh31KJ-A2ozezC0/s200/Duotoon.jpg" alt="" id="BLOGGER_PHOTO_ID_5503431931812300338" border="0" /></a>MACHINEFABRIEK<br /><span style="font-style: italic;">Duotoon</span><br /><span style="font-weight: bold;">Machinefabriek CD EP</span><br />(MF 012)<br /><br /><br /><br /><br /><br /><br /><object height="81" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fmachinefabriek%2Fduotoon&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fmachinefabriek%2Fduotoon&secret_url=false" type="application/x-shockwave-flash" height="81" width="100%"></embed> </object> <span><a href="http://soundcloud.com/machinefabriek/duotoon">Duotoon</a> by <a href="http://soundcloud.com/machinefabriek">Machinefabriek</a></span><br /><br />"A new self released fan disc. A 19 minute track made purely with computer generated sine waves, layered and edited to form a strangely immersive drone piece. So, no dusty vinyl crackles, textural field recordings or grainy guitars here... just pure tones."<br /><br />5" CD with a transparent outer ring housed in picture sleeve slipcase and another ultra limited edition - more engrossing sonic adventures from the man Zuydervelt.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLZc71JvhyphenhyphentxWPGnlvDSAsOik6UAhCIVRwSjbqbaz7-e3PLkFZqLvBjF8vU9TRJzX8BwsWm7JWQCw3sCfHAXvP6PjinDpowv8MrQr8kicNR2mZG0xi4Brch_7XhKsoKFaQy_Py5FZDExTe/s1600/CH76-Tully.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLZc71JvhyphenhyphentxWPGnlvDSAsOik6UAhCIVRwSjbqbaz7-e3PLkFZqLvBjF8vU9TRJzX8BwsWm7JWQCw3sCfHAXvP6PjinDpowv8MrQr8kicNR2mZG0xi4Brch_7XhKsoKFaQy_Py5FZDExTe/s200/CH76-Tully.jpg" alt="" id="BLOGGER_PHOTO_ID_5503432056882079650" border="0" /></a>TULLY<br /><span style="font-style: italic;">Live at Sydney Town Hall, 1969-70</span><br /><span style="font-weight: bold;">Chapter Music CD</span><br />(CH 076) <br /><br /><br /><br /><br /><br /><br /><span style="font-style: italic;">Chapter Music presents two rare live recordings from quintessential Sydney prog group Tully, including their 1970 performance of Australia’s first ever rock opera. These recordings capture the band in their first incarnation, before they joined forces with members of revered folk-psych band Extradition to explore more contemplative territory.</span><br /><br /><span style="font-style: italic;">Formed in late 1968, Tully the First were wild, expansive and unpredictable, their live shows now the stuff of legend. Terry Wilson (vocals), Richard Lockwood (reeds), Michael Carlos (organ), John Blake (bass) and Robert Taylor (drums) employed extended improvisation, spacious dynamics and an intuitive intensity, so impressing Australian jazz icon John Sangster that he called them “the best band in the world at the time.” </span><span style="font-style: italic;"><br /><br />In mid 69, Tully became the house band for love-rock musical Hair, recording the original cast album later that year. They also starred in a six part live-in-studio series Fusions. which premiered on ABC TV in August 1969. Sights & Sounds Of 69, from a May show of the same name, is the only live Tully recording to have survived the intervening four decades, and documents a typically far-ranging, mind-expanding performance. Ken Firth (later of the Ferrets) replaced John Blake on bass in December 1969.Perhaps Australia’s greatest living composer, Peter Sculthorpe wrote Love 200 specifically with Tully and vocalist Jeannie Lewis in mind. The work, commemorating Captain Cook’s expedition to map the Transit of Venus in 1769, was dismissed by the stuffy classcial establishment at the time, but Sculthorpe now calls it simply “one of my best works.” Heard here for the first time since the early 70s, Love 200 is an astounding piece, both elegant and jarring, serene and chaotic.</span><span style="font-style: italic;"><br /><br />After Tully’s 1970 self-titled debut, Wilson and Taylor left the band, which then assimilated Extradition’s Shayna Stewart and Colin Campbell before releasing two more albums, Sea Of Joy (1971) and Loving Is Hard (1972), both markedly different from their fiery and often thunderous early form. Sadly, all three of Tully’s studio albums are still to be officially reissued. Until then, Live at Sydney Town Hall, 1969-70 is a fascinating insight into the early work of one of Australia’s most heralded, but least heard bands. </span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY48tUWpuCQgioVtmKJZURH5mosRidp4sXEtS5mQjsbVJRK4k7Suadii2Nf3QRhHHmYkwGHtyuIhlSEFA9e4Rf0AY-NIrhCg3ASZYhvG-bcQGzdtyximJBolMIWhHKH1Y0slSpE5Uq06YF/s1600/CH68-Parkins.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY48tUWpuCQgioVtmKJZURH5mosRidp4sXEtS5mQjsbVJRK4k7Suadii2Nf3QRhHHmYkwGHtyuIhlSEFA9e4Rf0AY-NIrhCg3ASZYhvG-bcQGzdtyximJBolMIWhHKH1Y0slSpE5Uq06YF/s200/CH68-Parkins.jpg" alt="" id="BLOGGER_PHOTO_ID_5503432181836125362" border="0" /></a>DANNY & THE PARKINS SISTERS<br /><span style="font-style: italic;">Danny & the Parkins Sisters</span><br /><span style="font-weight: bold;">Chapter Music CD</span><br />(CH 068)<br /><br /><br /><br /><br /><br /><br />“<span style="font-style: italic;">Danny & the Parkins Sisters were a truly singular blend of irritating, grating, interesting and meaningful.” - Bruno DeSmartass, Flipper</span><span style="font-style: italic;"><br /><br />Chapter Music is proud to resurrect from undeserved obscurity the scratchy beatnik art-punk stylings of early 80s San Francisco trio Danny & the Parkins Sisters. Surrounded by the classic SF punk sounds of the Dead Kennedys, Pink Section, Flipper and the like, Danny & the Parkins Sisters opted instead to head in a very different direction.</span><span style="font-style: italic;"></span><span style="font-style: italic;"><br /><br />Bratty Arizona transplant Danny Vinik and chic, alluring sisters Debra and Beverly Parkins strummed on detuned guitars, banged on whatever was close at hand, and declaimed hilarious, incisive lyrics that dissected the scenes and tribes around them in visceral, ungentrified early 80s San Francisco. Their high-performance shows played out in legendary venues such as the Sound Of Music and Club Generic.</span><span style="font-style: italic;"><br /><br />In 1982, the band released a 8 song mini album on the Modern Masters label, run by Richard Kelly of the cabaret collective Club Foot Orchestra. It included the all-time </span><br /><span style="font-style: italic;">shoulda-beena classic, War Is On Your Doorstep, a pounding tribal punk chant that sums up all the paranoia and posturing of the post-punk era.</span><span style="font-style: italic;"><br /><br />By 1983 the band were over, with Danny heading to South America and the Parkins sisters to New York, but their brief SF moment shone with a peculiar, musically naive but still knowing charm. Fans of angular post-punk luminaries like the Bush Tetras, the Raincoats or Y Pants will love this CD, which comes filled with bonus demo, live and rehearsal recordings.</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-8552226183149334812010-08-09T16:01:00.006+01:002010-08-09T16:19:37.857+01:002nd August 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxwPb5RIDY3PDSX5HeHDLst3p6X79CTC8IGGRs4I5SV6eJeYmm13G4YTUNFJWUXAllhKErgsyfoAYp0dvSFLpjrZxsOnNB4wFXM2JhiLwgRuIedSw2IFkak06Q1oNNPtwxNYmY4-0i3iUO/s1600/DUBK014.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 171px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxwPb5RIDY3PDSX5HeHDLst3p6X79CTC8IGGRs4I5SV6eJeYmm13G4YTUNFJWUXAllhKErgsyfoAYp0dvSFLpjrZxsOnNB4wFXM2JhiLwgRuIedSw2IFkak06Q1oNNPtwxNYmY4-0i3iUO/s200/DUBK014.jpg" alt="" id="BLOGGER_PHOTO_ID_5503427152943880754" border="0" /></a>DUBKASM<br /><span style="font-style: italic;">Dubkasm Remixed Part 2: </span><br /><span style="font-style: italic;">A. Respek Ispek (Appleblim & Gatekeeper Remix)<br />B1. Transformi (Hyetal Remix)<br />B2. Moses (Forsaken Remix)</span><br /><span style="font-weight: bold;">Sufferah's Choice 12"</span><br />(DUBK 014)<br /><br /><object height="225" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fbakedgoods%2Fsets%2Fdubkasm-remixed-part-2-sufferahs-choice-12-dubk-014&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fbakedgoods%2Fsets%2Fdubkasm-remixed-part-2-sufferahs-choice-12-dubk-014&secret_url=false" type="application/x-shockwave-flash" height="225" width="100%"></embed> </object> <span><a href="http://soundcloud.com/bakedgoods/sets/dubkasm-remixed-part-2-sufferahs-choice-12-dubk-014">DUBKASM Remixed - Part 2 (Sufferah's Choice 12", DUBK 014)</a> by <a href="http://soundcloud.com/bakedgoods">bakedgoods</a><br /><br /><span style="font-style: italic;">Part 2 of 5 in the Dubkasm remix saga!</span><br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-6Fe_hwFGabhiCBaMzDHJ74N_MD_Tzhbu_a5-HjlduAL9nqyqTSeflCikOaEXsHEgZ61x1ZZG_-uR_1sD13jbDfMcUTBBlFa8Dcrp1K81Of3E-ODVhOUz1cT2jz12WUmDgJ1Sn9Z8ZhyphenhyphenE/s1600/fa019cd.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-6Fe_hwFGabhiCBaMzDHJ74N_MD_Tzhbu_a5-HjlduAL9nqyqTSeflCikOaEXsHEgZ61x1ZZG_-uR_1sD13jbDfMcUTBBlFa8Dcrp1K81Of3E-ODVhOUz1cT2jz12WUmDgJ1Sn9Z8ZhyphenhyphenE/s200/fa019cd.jpg" alt="" id="BLOGGER_PHOTO_ID_5503428737128598482" border="0" /></a><span>FABRICE LIG<br /><span style="font-style: italic;">Genesis Of A Deep Sound</span><br /><span style="font-weight: bold;">Fine Art Recordings CD/LP</span><br />(FA 019CD/LP) <br /><object height="285" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fnitzanfineart%2Fsets%2Ffabrice-lig-genesis-of-a-deep-sound&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fnitzanfineart%2Fsets%2Ffabrice-lig-genesis-of-a-deep-sound&secret_url=false" type="application/x-shockwave-flash" height="285" width="100%"></embed> </object> <span><a href="http://soundcloud.com/nitzanfineart/sets/fabrice-lig-genesis-of-a-deep-sound">Fabrice Lig - Genesis Of A Deep Sound</a> by <a href="http://soundcloud.com/nitzanfineart">nitzanfineart</a></span><br /></span> <span style="font-style: italic;"><br />Excellent techno album by Fabrice Lig, known for his great releases on Fcom and several other labels and upcoming releases on R&S. 180 gr heavy weight – exclusive spoken track by Fabrice and 2 unique locked grooves on each side. Photography on both the vinyl and the CD comes from published photographer Andrew Moore and his book Detroit Disassembled. This is the limited vinyl version of his full length cd on Fine Art, and with this album he is straight back in the spotlights! Traditional Detroit influenced techno plus some downbeat funk. Comes with a bonus free download code of an additional track from the album. </span><span><br /></span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-31788345736907630582010-07-23T12:53:00.009+01:002010-07-23T14:05:58.303+01:0026th July 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCQZj6yjVLqcbqna2w-zjlqHFCUqdSzX6-Yo3IQeArOZ7jkKa5Ag-QzsYt9uJ2_3L-j4YZiES_hjwsw1dypOnewoRVP54lYwU-0iF0s-g8jwq0iLv6ygwAQeDwpvI7i3lskocboNXy7OZv/s1600/DUBK013.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCQZj6yjVLqcbqna2w-zjlqHFCUqdSzX6-Yo3IQeArOZ7jkKa5Ag-QzsYt9uJ2_3L-j4YZiES_hjwsw1dypOnewoRVP54lYwU-0iF0s-g8jwq0iLv6ygwAQeDwpvI7i3lskocboNXy7OZv/s200/DUBK013.jpg" alt="" id="BLOGGER_PHOTO_ID_5497076917029766914" border="0" /></a>DUBKASM FEAT. RAS ADDIS<br /><span style="font-style: italic;">Dubkasm Remixed Part 1: </span><br /><span style="font-style: italic;">A. Hail Jah (Jakes Remix)</span><br /><span style="font-style: italic;">B. City Walls (Gemmy Remix)</span><br /><span style="font-weight: bold;">Sufferah's Choice 12"</span><br />(DUBK 013)<br /><object width="100%" height="225"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fbakedgoods%2Fsets%2Fdubkasm-remixed-part-1-jakes-gemmy-remixes"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fbakedgoods%2Fsets%2Fdubkasm-remixed-part-1-jakes-gemmy-remixes" type="application/x-shockwave-flash" width="100%" height="225"></embed> </object> <span><a href="http://soundcloud.com/bakedgoods/sets/dubkasm-remixed-part-1-jakes-gemmy-remixes">DUBKASM Remixed - Part 1 (Sufferah's Choice 12", DUBK 013)</a> by <a href="http://soundcloud.com/bakedgoods">bakedgoods</a></span><br /><br /><span style="font-style: italic;">Jakes steps up with Gemmy, back to back in this lively first twelve inch pressing, first in a series of five incoming in the Dubkasm Remixed series. Both sides have been receiving maximum rinseage, the Jakes mix providing a notable transition moment in Headhunter's recent juke to dubstep DJ excursions. </span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVItEWhXO6P1TZx8-g8uwcqiR_67wULyzCUTl37yLSBF4iPb_yxaZ_c7k1z_L_7EMhZObOYEthqPXNAoJrx72oWoeyb5XDzhnX2baNtF92BLJgaZ-s3o5k5qC7xZkbw8K82uywztjEz2-5/s1600/JS04.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 167px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVItEWhXO6P1TZx8-g8uwcqiR_67wULyzCUTl37yLSBF4iPb_yxaZ_c7k1z_L_7EMhZObOYEthqPXNAoJrx72oWoeyb5XDzhnX2baNtF92BLJgaZ-s3o5k5qC7xZkbw8K82uywztjEz2-5/s200/JS04.jpg" alt="" id="BLOGGER_PHOTO_ID_5497077019771017698" border="0" /></a>JS (J.S.ZEITER)<br /><span style="font-style: italic;">A. JS04</span> <span style="font-style: italic;"><br />AA. JS04R2</span><br /><span style="font-weight: bold;">MCMLXV 12"</span><br />(JS 04)<br />Strictly limited, 200 copies only, translucent grey vinyl with smokey marbling<br /><br /><object width="100%" height="81"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fmcmlxv%2Fjs-04-excerpt"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fmcmlxv%2Fjs-04-excerpt" type="application/x-shockwave-flash" width="100%" height="81"></embed> </object> <span><a href="http://soundcloud.com/mcmlxv/js-04-excerpt">JS-04A - JS-04 (excerpt)</a> by <a href="http://soundcloud.com/mcmlxv">MCMLXV</a></span><br /><object width="100%" height="81"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fmcmlxv%2Fjs-04r2-excerpt"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fmcmlxv%2Fjs-04r2-excerpt" type="application/x-shockwave-flash" width="100%" height="81"></embed> </object> <span><a href="http://soundcloud.com/mcmlxv/js-04r2-excerpt">JS-04B - JS-04R2 (excerpt)</a> by <a href="http://soundcloud.com/mcmlxv">MCMLXV</a></span><br /><br /><span style="font-style: italic;">Ten years since JS-03, but little over eight weeks have passed since the last sighting of James Zeiter on the excellent Styrax Leaves imprint. His 'Reworks' twelve for them offered a reduced anticipation of this twelve, a flavoured vapour trail of this fine double header. Killer techno.</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-11573322898192001652010-07-02T13:13:00.007+01:002010-07-23T13:38:44.537+01:005th July 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguY_1Iu3_aG-mJd-RWbvfNM_hNYor8ZkJySZjgpBrcEjsuRsllWpTOILS0GP_dujorJFn67KjCnkufsZSSKCwdA7D1kqas67D9dEzdQ-GWC5mVmWnz4mdZvd5xdDH8jnfkOhNvhIClmT_4/s1600/TECMVCD50001.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 150px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguY_1Iu3_aG-mJd-RWbvfNM_hNYor8ZkJySZjgpBrcEjsuRsllWpTOILS0GP_dujorJFn67KjCnkufsZSSKCwdA7D1kqas67D9dEzdQ-GWC5mVmWnz4mdZvd5xdDH8jnfkOhNvhIClmT_4/s200/TECMVCD50001.jpg" alt="" id="BLOGGER_PHOTO_ID_5489282428552256914" border="0" /></a>VARIOUS /<br />MULTIVERSE MUSIC<br /><span style="font-style: italic;">Dark Matter : Multiverse 2004 - 2009</span><br /><span style="font-weight: bold;">Tectonic 2CD</span><br />(TECMVCD 50001)<br /><br /><object height="225" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fmultiverse%2Fsets%2Fmultiverse-darkmatter"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fmultiverse%2Fsets%2Fmultiverse-darkmatter" type="application/x-shockwave-flash" height="225" width="100%"></embed> </object> <span><a href="http://soundcloud.com/multiverse/sets/multiverse-darkmatter">Dark Matter :: Multiverse 2004-2009 [selected tracks from 2 x CD Compilation]</a> by <a href="http://soundcloud.com/multiverse">Multiverse</a></span><br /><br /><span style="font-style: italic;">CD1 :</span><span style="font-style: italic;"><br /><br />1. Vex'd 'Lion' (Subtext)</span><br /><span style="font-style: italic;">2. Circuit Breaker 'Phonque' (October's Nosebleed Remix) (Vertical Sound)<br /></span><span style="font-style: italic;">3. Moving Ninja 'Witchdokta' (Vertical Sound)<br /></span><span style="font-style: italic;">4. Pinch & P. Dutty 'War Dub' (Tectonic)</span><span style="font-style: italic;"><br />5. S.N.O. 'Disturbance' (Earwax)</span><span style="font-style: italic;"><br />6. Skream 'Bahl FWD' (Tectonic)</span><span style="font-style: italic;"><br />7. Joker 'Stuck In The System' (Earwax)</span><span style="font-style: italic;"><br />8. The Body Snatchers 'Big Ass, Mini Skirt' (Vertical Sound)</span><span style="font-style: italic;"><br />9. 2562 'Techno Dread' (Tectonic)</span><span style="font-style: italic;"><br />10. Joker & Ginz 'Purple City' (Kapsize)</span><span style="font-style: italic;"><br />11. Pinch ft Yolanda 'Get Up' (RSD Mix) (Tectonic)</span><span style="font-style: italic;"><br />12. Baobinga & I.D. 'Tongue Riddim' (Build)</span><span style="font-style: italic;"><br /><br />CD2 :</span><span style="font-style: italic;"><br /><br />1. Vex'd 'Pop Pop' (Subtext)</span><span style="font-style: italic;"><br />2. Loefah & Skream '28g' (Tectonic)</span><span style="font-style: italic;"><br />3. Cyrus 'Indian Stomp' (Tectonic)</span><span style="font-style: italic;"><br />4. Pinch 'Qawwali' (renamed 'Brighter Day' for Tectonic)</span><span style="font-style: italic;"><br />5. Loefah 'System' (Tectonic)</span><span style="font-style: italic;"><br />6. Moving Ninja 'Uranium' (Tectonic)</span><span style="font-style: italic;"><br />7. October 'Three Drops' (Caravan)</span><span style="font-style: italic;"><br />8. Joker 'Psychedelic Runway' (Kapsize)</span><span style="font-style: italic;"><br />9. October 'Euro Dance Hit' (Caravan)</span><span style="font-style: italic;"><br />10. emptyset 'Gate 4' (Caravan)</span><span style="font-style: italic;"><br />11. 2562 'Unbalance' (Tectonic)</span><span style="font-style: italic;"><br />12. emptyset 'Demian' (CD Exclusive)</span><br /><br /><span style="font-style: italic;">Since its formation in 2004, Bristol based Multiverse has been one of the key creative studios for developing the city's flourishing culture of forward thinking electronic music. Based around their recording studio in the heart of the city, the collective has consistently nurtured and supported electronic artists, both nationally and internationally, in the process creating a series of seminal releases that have helped shape today's current musical landscape. Through their network of labels which includes Tectonic, Kapsize, Earwax, Caravan and Build the work of the studio has focussed on exploring the uncharted spaces between genres, bridging together today's cutting edge sonic possibilities with electronic music's rich and diverse musical history. This intention has been accomplished with a strictly artist led approach and a commitment to supporting the work of new and innovative musicians and composers. The fruits of this creative labour are reflected here in this celebratory compilation.</span><span style="font-style: italic;"><br /><br />This double CD release offers a selection of highlights from the studio's recent history. Leading the charge are both Lion and Pop Pop by Vex'd, records that formed the first bridge between classic British industrial music and Dubstep, a fusion now championed by the likes of Surgeon, Distance and Milanese. This appears alongside Joker and Ginz's Purple City the track that spearheaded the emergence of the Purple Wow phenomenon. Also present is Pinch's Qawwali one of the key tracks that broke Dubstep to a global audience via Mary Anne Hobb's Dubstep Warz compilation. As expected Pinch's influence within Multiverse extends across the compilation through his collaboration with P-Dutty on War Dub featured in the movie Children of Men, and Get Up with Massive Attack vocalist Yolanda Quartey and Bristol legend Rob Smith. Equally the more avant-garde work of the studio is represented through Moving Ninja, an artist who pioneered the blurring of boundaries between dubstep and sound design and Emptyset whose eponymous debut album fused the streamlined European minimalism of Mika Vainio and Raster Noton with Bristol's unique bass heavy production style. This ground breaking selection of tracks sit alongside contributions by Techno-Dubstep pioneer 2562, half-step progenitor Loefah, Skream and Caravan label boss October. In the process Dark Matter creates a landmark archive of the work of one of the worlds most innovative creative networks of electronic producers.</span><span style="font-style: italic;"><br /><br />At the centre of this community is Bristol's thriving music scene in which Multiverse forms a key social hub, and the studio has operated with a family ethos that has placed creativity and artistic co-operation at the heart of their activity. Their collective approach places dialogue and collaboration as a vital and indispensable element within the musical process, an ethos that is entrenched within the city's creative history, and their focus as ever remains in working with a diverse range of artists to craft a unique an inimitable sound that speaks to a global audience. As a result Dark Matter emerges both as a celebration of all that has been achieved and forms a decisive manifesto for an unwritten future. An elemental space where electronic music collides with new digital processes and avant-garde composition, a place where sound becomes the raw sculptural mass of the sonic languages of tomorrow.</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLbLp8nFIfaV8i1K588rsoEqNV6g9fPGhw4DjnjsmKnj6pPEhqBdOV8vvMm2AAKujO4HATdAZja8dvM9a7ZPWpOmGboipA6huGZHvJ_UOX-L-KynE-z2q9KmcJpwWBrZCqrLmJ3ESHa3PC/s1600/PHLOX002.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLbLp8nFIfaV8i1K588rsoEqNV6g9fPGhw4DjnjsmKnj6pPEhqBdOV8vvMm2AAKujO4HATdAZja8dvM9a7ZPWpOmGboipA6huGZHvJ_UOX-L-KynE-z2q9KmcJpwWBrZCqrLmJ3ESHa3PC/s200/PHLOX002.jpg" alt="" id="BLOGGER_PHOTO_ID_5489290048140618642" border="0" /></a>GROUP NIOB<br /><span style="font-style: italic;">A. Vector</span><span style="font-style: italic;"><br />AA. Amber</span><br /><span style="font-weight: bold;">Phlox 12"</span><br />(PHLOX 002)<br /><br /><object height="225" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fphlox%2Fsets%2Fgroupniob"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fphlox%2Fsets%2Fgroupniob" type="application/x-shockwave-flash" height="225" width="100%"></embed> </object> <span><a href="http://soundcloud.com/phlox/sets/groupniob">Group Niob 12", in stores 28th june 2010</a> by <a href="http://soundcloud.com/phlox">Phlox</a></span><br /><br /><span style="font-style: italic;">Our pioneers on the intriguing Austrian dubs frontier, return with this their second outing on wax - Group Niob, the collaborative work of both label heads Gerhard Potuznik and Martin Sovinz. 'Vector' continues further with exploratory mining into the oneforty bpm dubbed into technoid seam - its low end is devious and drills itself clean inside the synapses, mirages of dub cascading either side.</span><span style="font-style: italic;"><br /><br />'Amber' works the deep small hours in the club most effectively - shunting and writhing within a dub organism which appears to throw its immaculate shapes to the four corners - heavy and grooving, ideal for smoke-machined basements and strobed warehouse interactions. Fans of everything from Scuba, Mike Dehnert, Wax series and Seldom Felt to technological Iration movements should check without delay </span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-29038717496719076812010-07-02T12:25:00.014+01:002010-07-02T13:58:12.089+01:0028th June 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji_r4mO8IILiTgaLCZ_1rljS-e2pmvFXMetQw4CRYDZr0XquL8VjvyFN6aL_tjLDsgQiiuZeyPcwl3MyyLGjzVuCuq-AkOa9CLS8GcEAI-tsEMAhW5j9LbSAbhBaNsl_O0u-NUPrUE-NEP/s1600/SC452.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji_r4mO8IILiTgaLCZ_1rljS-e2pmvFXMetQw4CRYDZr0XquL8VjvyFN6aL_tjLDsgQiiuZeyPcwl3MyyLGjzVuCuq-AkOa9CLS8GcEAI-tsEMAhW5j9LbSAbhBaNsl_O0u-NUPrUE-NEP/s200/SC452.jpg" alt="" id="BLOGGER_PHOTO_ID_5489270934170467922" border="0" /></a>GERARDO FRISINA<span style="font-style: italic;"><br />Join The Dance</span><br /><span style="font-weight: bold;">Schema 2LP</span><br />(SC 452)<br /><br /><span style="font-style: italic;">preview album <a href="http://www.ishtar.it/album.php?IDProdotto=298">here</a></span><br /><br /><span style="font-style: italic;"><br /><br /><br />After the great success gained with his last productions and the numerous DJ sets around Europe, the DJ and producer Gerardo Frisina presents his new album titled 'Join The Dance' </span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV6t8H5OLL5swhRYtHPB4D-zGf4UeMMjTCXvC4aeET4Ochzqo34hZFzkp5niV-i_YYcqRFf4x1slV0iVgFDocdVw3FECidxDoJwOAy4mMNrkdSLV3RvL6QchL9vc6R6Me6QklvYyQBCjIt/s1600/SCEP453.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV6t8H5OLL5swhRYtHPB4D-zGf4UeMMjTCXvC4aeET4Ochzqo34hZFzkp5niV-i_YYcqRFf4x1slV0iVgFDocdVw3FECidxDoJwOAy4mMNrkdSLV3RvL6QchL9vc6R6Me6QklvYyQBCjIt/s200/SCEP453.jpg" alt="" id="BLOGGER_PHOTO_ID_5489272023269857282" border="0" /></a>GERARDO FRISINA feat. NORMA WINSTONE<br /><span style="font-style: italic;"></span><span style="font-style: italic;">A. Will You Walk A Little Faster? (Faster Club Version)<br /></span> <span style="font-style: italic;">B. Joy Shout (Club Dub)</span><br /><span style="font-weight: bold;">Schema 12"</span> (SCEP 453) <span style="font-style: italic;"><br /><br /></span><span style="font-style: italic;">preview single <a href="http://www.ishtar.it/album.php?IDProdotto=302">here</a></span><br /><span style="font-style: italic;"><br /><br />The single 'Will You Walk A Little Faster' featuring Norma Winstone has been previewed on Gilles Peterson Worldwide (BBC Radio 1)</span> <span style="font-style: italic;"><br /><br />From the title of this album and the up-tempo productions proposed, one might immediately assume that this is a release aimed at the dance floor. This however, is not strictly an invitation to dance, rather a proposal to come together and celebrate the instinctive movement that is inspired by listening, and responding to music. </span> <span style="font-style: italic;">Simply put, this is a jazz album, but still containing the strong Afro-Cuban influences that are distinctive to all of Gerardo productions, here largely expressed in Joy Shout and Titoro. With this album, he has also experimented with new sounds and influences, such as the Asian-inspired track Mille e una Notte. Gerardo has also made two songs in 3/4 time, Waltz for Emily, and Another Waltz.</span> <span style="font-style: italic;">'Join The Dance' is a good work of modern Latin music, arranged by Gerardo Frisina in collaboration with Luca Mannutza. Twelve pieces, nine of which are unreleased and three are covers. Two of the three re-interpretations are the only songs featuring in the album: Will You Walk a Little Faster is a new version of the beautiful 1971 Neil Ardley track, featured in the album 'A Symphony of Amaranths' and here interpreted again by the original singer, the British Jazz legend Norma Winstone. 'I’m Gonna Go Fishin’ ' instead is sung by Francesca Sortino, well-known Italian singer whom collaborated with several national and international jazz artists (Enrico Pieranunzi, Paolo Fresu, Stefano Di Battista, Eddie Henderson, Pierre Michelot, Eliot Zigmund). It is also a cover of a jazz tune taken from the 1959 film "Anatomy of a Murder" and written by Duke Ellington and Peggy Lee. The third and last cover of the album is 'Titoro', written by Billy Taylor and originally recorded in trio in 1957. Gerardo here offers a rework with a delectable Afro-Cuban taste.</span> <span style="font-style: italic;">Thanks to the big international promotion of the single 'Will you Walk a Little Faster?', previewed by Gilles Peterson on Worldwide programme (BBC Radio 1), 'Join the Dance' will bring back on the European club scene one of the most valued Latin jazz producers.</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-72091480932619688962010-06-23T16:16:00.012+01:002010-06-23T16:59:30.611+01:0021st June 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge7UTaAdcQDT-AwZnJvf_CoeZzxSI87AKs2iJTmZ4P-2HfaGEuoIQJRlinbOJN5vubfd7MAajlPrC6WT8CDI7L5KL08Qj6rJZpdcjP8qzqQuj4Jv8CTkBVLvJtcruxuDFUB9gYiaTcP4yy/s1600/LDN018A.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 169px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge7UTaAdcQDT-AwZnJvf_CoeZzxSI87AKs2iJTmZ4P-2HfaGEuoIQJRlinbOJN5vubfd7MAajlPrC6WT8CDI7L5KL08Qj6rJZpdcjP8qzqQuj4Jv8CTkBVLvJtcruxuDFUB9gYiaTcP4yy/s200/LDN018A.jpg" alt="" id="BLOGGER_PHOTO_ID_5485996290361434514" border="0" /></a><span style="font-weight: bold;">LHF</span> <span style="font-style: italic;">EP1 : Enter In Silence</span> <span style="font-style: italic;"><br />A1. </span><span style="font-weight: bold;">DOUBLE HELIX</span><span style="font-style: italic;"> - Deep Life</span> <span style="font-style: italic;"><br />A2. </span><span style="font-weight: bold;">LOW DENSITY MATTER</span><span style="font-style: italic;"> - Blue Steel</span> <span style="font-style: italic;"><br />B1. </span><span style="font-weight: bold;">AMEN RA + DOUBLE HELIX</span><span style="font-style: italic;"> - Steelz</span> <span style="font-style: italic;"><br />B2. </span><span style="font-weight: bold;">AMEN RA FEAT. DOUBLE HELIX</span><span style="font-style: italic;"> - Broken Glass</span><br /><span style="font-weight: bold;">Keysound 12"EP </span>(LDN 018)<br /><br /><object style="background-image: url("http://i2.ytimg.com/vi/Uf7qwcKZ3EE/hqdefault.jpg");" height="295" width="480"><param name="movie" value="http://www.youtube.com/v/Uf7qwcKZ3EE&hl=en_US&fs=1"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/Uf7qwcKZ3EE&hl=en_US&fs=1" allowscriptaccess="never" allowfullscreen="true" wmode="transparent" type="application/x-shockwave-flash" height="295" width="480"></embed></object><br /><br /><span style="font-style: italic;">"...strange forces coalescing, mutterings of hoards of dubplates being assembled, psychotropic riddims ready to be unleashed on an unsuspecting public. Together LHF have got this sound like Sun Ra's hijacked Rinse FM and is using it to communicate with the heavens. Buried inside one corner of the LHF collective is a junglist fighting his way out: these guys have got drumz. Then there's another part of them that is lost in LA, their wonky beats falling off of the grid. Other members of the collective remind me of Horsepower's ability to transport you to lands far, far away: to Bollywood films or damp Brazilian riverbanks. I'm just lost in their sound right now..." <a href="http://blackdownsoundboy.blogspot.com/">Blackdown</a><br /><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_zhY5PzW00OJ_IMmclMwzHH0sJCOhYwdRM5425YCnJ5CznNMGFbiRVex40AL9gcdWb_Trj9jFX97Fci5HomOevh6z6dytdag0XgNqzEIUkctUgNnLPHTXKf1xqZKCXYUsUsZqmtUbOzlU/s1600/TEC039A.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 171px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_zhY5PzW00OJ_IMmclMwzHH0sJCOhYwdRM5425YCnJ5CznNMGFbiRVex40AL9gcdWb_Trj9jFX97Fci5HomOevh6z6dytdag0XgNqzEIUkctUgNnLPHTXKf1xqZKCXYUsUsZqmtUbOzlU/s200/TEC039A.jpg" alt="" id="BLOGGER_PHOTO_ID_5485996106837899682" border="0" /></a><span style="font-style: italic;">A. </span><span style="font-weight: bold;">JAKES</span><span style="font-style: italic;"> - Times End</span> <span style="font-style: italic;"><br />AA. </span><span style="font-weight: bold;">DARQWAN</span><span style="font-style: italic;"> - Jahwan</span><br /><span style="font-weight: bold;">Tectonic 12" </span><br />(TEC 039)<br /><br /><br /><br /><br /><br /><br /><span style="font-style: italic;">Two big names share one plate for Tectonic as dark garage / 2-Step legend Oris Jay, appearing here as Darqwan, goes face to face with Bristol don and HENCH head-honcho Jakes. Both tracks roll out cold and hard with a no-compromise attitude and all the quality levels you've come to expect from the usual Tectonic output.</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-55256203456590540682010-06-14T13:01:00.006+01:002010-07-02T13:55:15.551+01:0014th June 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTQ3xSQIx0iFIMSQdEihJQIqRHE10pDWY4VKojBZF5deXEtUXA8Tc-Z4dyqIsGbw0xmCdDVtTx_JEhtQRHt4FWSqT5O0s2sj_cxe5BBM-pF4_z5t2RK-GzkKBbx25AUh_yotQ2DJm1CN40/s1600/MWAVE013.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTQ3xSQIx0iFIMSQdEihJQIqRHE10pDWY4VKojBZF5deXEtUXA8Tc-Z4dyqIsGbw0xmCdDVtTx_JEhtQRHt4FWSqT5O0s2sj_cxe5BBM-pF4_z5t2RK-GzkKBbx25AUh_yotQ2DJm1CN40/s200/MWAVE013.jpg" alt="" id="BLOGGER_PHOTO_ID_5482605957007777810" border="0" /></a><span style="font-weight: bold;">CASSEGRAIN featuring BENGA</span><br /><span style="font-style: italic;">Cotton / Olbia :</span> <span style="font-style: italic;"><br />A1. Cotton </span> <span style="font-style: italic;"><br />B1. Cotton (Perc Remix) </span> <span style="font-style: italic;"><br />B2. Olbia</span><br /><span style="font-weight: bold;">Mikrowave 12"</span><br />(MWAVE013)<br /><br /><object height="145" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fbakedgoods%2Fsets%2Fcassegrain-cotton-12-mikrowave-mwave-013"></param> <param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="145" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fbakedgoods%2Fsets%2Fcassegrain-cotton-12-mikrowave-mwave-013" type="application/x-shockwave-flash" width="100%"></embed> </object> <span><a href="http://soundcloud.com/bakedgoods/sets/cassegrain-cotton-12-mikrowave-mwave-013">Cassegrain - Cotton 12" (Mikrowave MWAVE 013)</a> by <a href="http://soundcloud.com/bakedgoods">bakedgoods</a></span> <br /><br /><span style="font-style: italic;">A bomb twelve inch originating via a chance meeting of musical minds, at the auspicious Red Bull music academy, when it was hosted in Barcelona autumn 2008. Picture the scene: HUSEYIN EVIRGEN, opera composer and production partner in Cassegrain with ALEX TSIRIDIS, greek overlord for bacchanalian warehouse revels and notably BENGA ADEJUMO - dubstep pioneer with future perspectives, contributing a rare vocal appearance...The result - some scratty basement sleaze, on point production unfurling its colours gradually through an epic single side, future rollage - absolute deadly wares.</span> <span style="font-style: italic;">Techno don PERC (Perc Trax/ CLR/ Ovum) switches the beats into a subs heavy stepper style, delivering a strategic bass refix of Cotton for the AA1, which tries the vital elements of the top side through new focal points and adds more overt dubwise swells. 'Olbia' continues the carnage some more for a Berghain primed dark destroyer, Cyrus indebted riffs over a smart big room low end undercarriage. Killer package. </span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifp33KawFVz1OsumoJ2VAoOTGRglo8_-kVtg2_IPp7r7uO0EolQOvBBMnhZWeEDJlYuxC4I6wF4_ZnnGVjBVbegydn-F4w1pM3FSptVrlPDA0kI155fVGnr-k7pFNhApTpJ81pgZTnyIo0/s1600/CVAN013.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifp33KawFVz1OsumoJ2VAoOTGRglo8_-kVtg2_IPp7r7uO0EolQOvBBMnhZWeEDJlYuxC4I6wF4_ZnnGVjBVbegydn-F4w1pM3FSptVrlPDA0kI155fVGnr-k7pFNhApTpJ81pgZTnyIo0/s200/CVAN013.jpg" alt="" id="BLOGGER_PHOTO_ID_5482601060386394594" border="0" /></a>ANONYMOUS<br /><span style="font-style: italic;">A. Oops </span> <span style="font-style: italic;"><br />B. Untitled</span><br /><span style="font-weight: bold;">Caravan limited 12",<br />hand-stamped labels</span><br />(CVAN013) <br /><object height="225" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fmultiverse%2Fsets%2Foops"></param> <param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="225" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fmultiverse%2Fsets%2Foops" type="application/x-shockwave-flash" width="100%"></embed> </object> <span><a href="http://soundcloud.com/multiverse/sets/oops">Oops :: Caravan Recordings OUT NOW</a> by <a href="http://soundcloud.com/multiverse">Multiverse</a></span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-90626133703222713552010-06-14T12:04:00.008+01:002010-06-14T13:32:44.814+01:007th June 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE8dDEaP9I7FqjPajGK9VtKGtVn84yYMDz9B5VPjmCoKaF2BvmPDowLpg0f09KCq1NXjJGuSkzBatmpPUhlDN7udaQRcCTYMFAcmFtlEUHRPkxgnUKYYTjInTCsaBFQjImbAXoqtsjXD37/s1600/7EVEN15-A.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE8dDEaP9I7FqjPajGK9VtKGtVn84yYMDz9B5VPjmCoKaF2BvmPDowLpg0f09KCq1NXjJGuSkzBatmpPUhlDN7udaQRcCTYMFAcmFtlEUHRPkxgnUKYYTjInTCsaBFQjImbAXoqtsjXD37/s200/7EVEN15-A.jpg" alt="" id="BLOGGER_PHOTO_ID_5482597233508546210" border="0" /></a><span style="font-weight: bold;">JOAAN</span><br /><span style="font-style: italic;">A. Splendor In The Grass</span> <span style="font-style: italic;"><br />B. 115 State</span><br /><span style="font-weight: bold;">7EVEN 12"</span><br />(7EVEN 015)<br /><br /><br /><br /><br /><br /><span style="font-style: italic;">Gracious to the last, 7even offer a well-deserved opening to Joann, a talented newcomer from Nantes, ironically label head Greg Gouty's home town. A more than worthy addition to the 7even family, currently flying high off the back of the F album 'Energy distortion'. 'Splendor in the grass' manages to build sheer beatdown vibes for gathering summer evenings, over a cannily deployed half-speed drum and bass simply tailor made for dBridge fans. Gently add a skweezed synth at 1:30 and some emotive strings before some covert riffage turns this into a full-on main room joint, future vibes wild out! '115 State' picks it up on a revived electro tip, slightly cagier with dubbed-out delayed figures across a smart detroit transphixion - big shit!</span><br /><br /><span style="font-weight: bold;font-size:130%;" >7EVEN Represses - </span><span style="font-weight: bold;font-size:130%;" >F</span><span style="font-weight: bold;font-size:130%;" > </span><span style="font-style: italic; font-weight: bold;font-size:130%;" >Energy Distortion</span><span style="font-weight: bold;font-size:130%;" > Parts 1-3 back in stock!</span><br /> <br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIQV8CjsiLaId9Juqeo_pe7ROXRqEWA-MK5oNE38r4tegviiGU2MlM_sFNV7ZU2ynMfKtDBmDGlv4il9nGRg9kCan5QR8CPFgYZufIMI2shs3AOlljnOiI3TQQtELqOLwWpCpX4Vmzqp0U/s1600-h/7EVEN012A.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIQV8CjsiLaId9Juqeo_pe7ROXRqEWA-MK5oNE38r4tegviiGU2MlM_sFNV7ZU2ynMfKtDBmDGlv4il9nGRg9kCan5QR8CPFgYZufIMI2shs3AOlljnOiI3TQQtELqOLwWpCpX4Vmzqp0U/s200/7EVEN012A.jpg" alt="" id="BLOGGER_PHOTO_ID_5429603819657438498" border="0" /></a><span style="font-weight: bold;">F</span><br /><span style="font-style: italic;"><a href="http://www.youtube.com/watch?v=I6jQgxvsukY">Energy Distortion</a> Part 1:</span><br /><span>A. Energy Distortion</span> <span><br />B. Energy Distortion (<a href="http://www.myspace.com/untolduk">Untold</a> RMX)</span><br /><span style="font-weight: bold;">7EVEN 12" </span><br />(7EVEN 012)<br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG5On6QaJ5Q8Rd9vr33TCrMAFQorrdSVslENUREGsKhv9RZe2Z57gIcyXGjfiK3jFZ0_zGPo6PUEOKeganhTsIDdGLqzPZYd1F4YbIS-4W2IMzM56DsbJsZ2hFEfWT7QXAtLgmXiYaf3hW/s1600-h/7EVEN013-part2.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG5On6QaJ5Q8Rd9vr33TCrMAFQorrdSVslENUREGsKhv9RZe2Z57gIcyXGjfiK3jFZ0_zGPo6PUEOKeganhTsIDdGLqzPZYd1F4YbIS-4W2IMzM56DsbJsZ2hFEfWT7QXAtLgmXiYaf3hW/s200/7EVEN013-part2.jpg" alt="" id="BLOGGER_PHOTO_ID_5439615751238784242" border="0" /></a><span style="font-weight: bold;">F</span><br /><span style="font-style: italic;">Energy Distortion Part 2</span>:<br />A. Chillin' B1. On The Corner<br />B2. Spacewalker<br />C. Perspectives<br />D. Funk Injection (Vinyl Edition Exclusive Track)<br /><span style="font-weight: bold;">7EVEN 2x12"</span> (7EVEN 013)<br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-w3MLf7yjazGdSSG7-IQKJR6IFl0btwM4ScLxy1pBUMC20ioVazT8fhfc0muP8W6wPLN4Ppwm_AXyi40YmsqY8Rx403-Lt8w3CuspjEnKFmGz2bmrTyV_icN8GenpT0C9qZmApuK0rQhW/s1600-h/7EVEN14-part3.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-w3MLf7yjazGdSSG7-IQKJR6IFl0btwM4ScLxy1pBUMC20ioVazT8fhfc0muP8W6wPLN4Ppwm_AXyi40YmsqY8Rx403-Lt8w3CuspjEnKFmGz2bmrTyV_icN8GenpT0C9qZmApuK0rQhW/s200/7EVEN14-part3.jpg" alt="" id="BLOGGER_PHOTO_ID_5447730552917704994" border="0" /></a><span style="font-weight: bold;">F</span> <span style="font-style: italic;"><br />Energy Distortion Part 3</span>:<br />A. 0907<br />B1. Poka B2. Forever<br />C. See The Light<br />D. Confined System (Vinyl Exclusive track)<br /><span style="font-weight: bold;">7EVEN 2x12" </span>(7EVEN 014)Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-54773621646066140672010-06-04T10:58:00.011+01:002010-08-09T16:42:16.018+01:00May 31st 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY5oZNPSYs1Q_XlMCkyVqjyVnc2yLnEqtOEwcZ8VrYHJXeEY85yUdeEK2UOUo2pJG3OcJ_wsG78UMWCLDm7qTeRgEa0pgNoCkXV5B-b06GvmWsNY0vsma_omWUquQxC3plqiQsqnTH101M/s1600/SMRCD008.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY5oZNPSYs1Q_XlMCkyVqjyVnc2yLnEqtOEwcZ8VrYHJXeEY85yUdeEK2UOUo2pJG3OcJ_wsG78UMWCLDm7qTeRgEa0pgNoCkXV5B-b06GvmWsNY0vsma_omWUquQxC3plqiQsqnTH101M/s200/SMRCD008.jpg" alt="" id="BLOGGER_PHOTO_ID_5478869452199847970" border="0" /></a>ELEVEN TIGERS<br /><span style="font-style: italic;">Clouds Are Mountains</span><br /><span style="font-weight: bold;">Soul Motive CD</span><br />(SMR 008CD)<br /><br /><br /><br /><br /><br /><span style="font-style: italic;"><br />Eleven Tigers steps up with a beautiful and entirely lush record for the first album to be released by the deeply impressive Soul Motive label. The Lithuanian ex-patriot is going to be blowing some minds this year, with this album and its forthcoming show- piece single 'Stableface'. His sound has a sense of being wonderfully organic, while retaining a dark electronic aesthetic.</span> <span style="font-style: italic;">Not only an album, but presented as a continuous live set, Eleven Tigers is a master of the live show, no one set is ever the same,with beats and melodies constantly evolving from a sheer joy in experimentation. The album truely reflects this as it takes you on a journey of epic proportions, careering from one musical world into another. Moving from ambient ethereal pads, dark electronic drum sequences while folky vocals, delayed pyschedelic guitar licks and detroit chords all melt in and out of the mix. All the while giving you a natural feel and human element in Eleven Tigers electronic world.</span> <span style="font-style: italic;">Clouds are Mountains may predominantly occupy the especially fertile140bpm terrain, but make no mistake, it is by no means your typical dubstep record: influences are drawn from most areas of bass music, be it garage, techno or whatver you call it - to form a highly impressive piece of work that fully immerses you from start to finish. </span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmsCU_jQCWe8Cn046rb-03i8L-vTFPPcZPNn8UFjH27HhtK68A9l2ye-psYMEm_g8miy2FPUCxYmgkd6iCmbX60mruZIWbfGifTV5LlvnCUkEywVSfMpnQZt-nV1TnLR8xaIm9qrXxjeST/s1600/ime018.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmsCU_jQCWe8Cn046rb-03i8L-vTFPPcZPNn8UFjH27HhtK68A9l2ye-psYMEm_g8miy2FPUCxYmgkd6iCmbX60mruZIWbfGifTV5LlvnCUkEywVSfMpnQZt-nV1TnLR8xaIm9qrXxjeST/s200/ime018.jpg" alt="" id="BLOGGER_PHOTO_ID_5478869817519032706" border="0" /></a>PLANAS<br /><span style="font-style: italic;">A. Look Into My Eyes<br />AA. Roots Music</span><br /><span style="font-weight: bold;">Immerse 12" </span><br />(IME 018)<br /><br /><br /><br /><br /><span style="font-style: italic;"><br />Incoming release from Bristol's Immerse label sees Rankin Records label boss Planas deliver two stunning new tracks of jazzy and dark edged dubstep. Immerse continue their foray into the realms of all things quality with the enlistment of Toby Davies AKA Planas for this new 2 track single. Davies is the man behind the much respected UK dubstep label Ranking Records, an imprint that has been releasing consistently outstanding records for the last 3 years, most of which have featured him either as a solo artist or in collaboration.</span> <span style="font-style: italic;">First of the two cuts here comes in the shape of 'Look into my Eyes', a jazzy, summery slice of broken beat brilliance. Melodic Rhodes parts and ethereal female vocals float over an undercarriage of rich rollin' bass and cut up drums with the whole thing held together by pads and subtle toplines that are reminiscent of classic Good Looking recordings. This is superb sun drenched music - light, musical and highly engaging.</span> <span style="font-style: italic;">The flipside track is entitled 'Roots Music' and is a darker, brooding affair with razor tight percussion and earth shaking bass. Once again the record is given a melodic vibe with dubbed out piano stabs, effected blues harp riffs and tight arpegiated synth lines used to lift this recording into the realms of the sublime, pure class.</span> <span style="font-style: italic;">After an incredible 2009, Immerse are definitely a label to watch this year, with an open music policy incorporating the best in UK electronica, dubstep and techno and with the addition of Planas to the roster it seems things just keep getting better.</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkFKF0h-yZdG6oeD1_1bt3uG5BJB8GauZ1GMrAJa4NVH6YjcqQyGzCGPbKGK0u6NDYY6RUHeVIBTZDHlGGuhG7q4x8LiX6O1wid2kDYNkw_dLH_-bJ-3DNcwuVCRgdGxyeOm-kThLQ1P3C/s1600/BLACKOUT001.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkFKF0h-yZdG6oeD1_1bt3uG5BJB8GauZ1GMrAJa4NVH6YjcqQyGzCGPbKGK0u6NDYY6RUHeVIBTZDHlGGuhG7q4x8LiX6O1wid2kDYNkw_dLH_-bJ-3DNcwuVCRgdGxyeOm-kThLQ1P3C/s200/BLACKOUT001.jpg" alt="" id="BLOGGER_PHOTO_ID_5478870449084191970" border="0" /></a>UNKNOWN ARTIST<br /><span style="font-style: italic;">A. Blackout</span> <span style="font-style: italic;"><br />B1. S.O.S.</span><br /><span style="font-style: italic;">B2. Boogie Kitchen </span><br /><span style="font-weight: bold;">Blackout 12" </span><br />(BLACKOUT 001)<br /><object height="145" width="100%"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fbakedgoods%2Fsets%2Fblackout001&secret_url=false"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fbakedgoods%2Fsets%2Fblackout001&secret_url=false" type="application/x-shockwave-flash" height="145" width="100%"></embed> </object> <span><a href="http://soundcloud.com/bakedgoods/sets/blackout001">BLACKOUT001 12"</a> by <a href="http://soundcloud.com/bakedgoods">bakedgoods</a></span> <span style="font-style: italic;"><br /><br />'Broken beats, bass killers - stealthy limited edition three tracker by an un-named producer, big with the likes of Mala, Peverelist, 2562, Martyn, Untold, Brackles, Oneman, Ben Ufo'</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfGfD7powT28QKIzSkgvQP-fHTRe5TtTnbrZw1hRr5nE7QMWHGhIDTN-VF6ithXEnyrRbUtzRBAHbMx5clz85UsIpug8W7ULKPOVbFovX0N5euZRa0JNAyShzpE0MZJWB04ssVC42v150o/s1600/RTCN005.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfGfD7powT28QKIzSkgvQP-fHTRe5TtTnbrZw1hRr5nE7QMWHGhIDTN-VF6ithXEnyrRbUtzRBAHbMx5clz85UsIpug8W7ULKPOVbFovX0N5euZRa0JNAyShzpE0MZJWB04ssVC42v150o/s200/RTCN005.jpg" alt="" id="BLOGGER_PHOTO_ID_5478874109024787634" border="0" /></a>JACKAL YOUTH<br /><span style="font-style: italic;">A. Let Me Be</span> <span style="font-style: italic;"><br />B1. Bruk<br />B2. Broken </span><br /><span style="font-weight: bold;">Reduction 12" </span><br />(RDCTN 005)<br /><br /><br /><br /><span style="font-style: italic;"><br />Reduction ramps it up another notch with some crisp pressure - minimal militant music from newcomer Jackal Youth. 'Let Me Be' opens with a simple collage of broken house drums and brassy stabs, vocal micro-samples hinting at the yearning vox to come, Add in a Popcorn-esque riff, tick-tocked percussion and punchy sub hits and you have a cheeky catchy little anthem.</span> <span style="font-style: italic;">'Bruk' on the flip continues ina similar vein - cut up Funky riddims and sliced female vocals wind together into a bumping garage cut that builds all the way - adding layers of synths and percussion as the pressure mounts. </span><span style="font-style: italic;">'Broken' rounds off the EP with a more complex piece, the conga-soaked house riddim overrun by offbeat detuned chords and a topline which sees the main motif develop and gather pace, adding new colours witha bittersweet flavour. </span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-120717555107389882010-05-21T15:31:00.014+01:002010-05-21T16:59:14.446+01:00May 24th 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtVccsAMiKHS3bs70bi6wQWXdkmzVk4_6ldCAk7QybkXneFuHwjeXBdMaluvGNPHuIK6AWSEoG5aQiFcMDfC5g6VjqnF25Iuva8JaHzNq5LXzJO1SAYmLLLa3qCCc7zZM57BSRhoBIeGTi/s1600/GONDCD004.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 153px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtVccsAMiKHS3bs70bi6wQWXdkmzVk4_6ldCAk7QybkXneFuHwjeXBdMaluvGNPHuIK6AWSEoG5aQiFcMDfC5g6VjqnF25Iuva8JaHzNq5LXzJO1SAYmLLLa3qCCc7zZM57BSRhoBIeGTi/s200/GONDCD004.jpg" alt="" id="BLOGGER_PHOTO_ID_5473745536813297746" border="0" /></a>NAT BIRCHALL<br /><span style="font-style: italic;">Guiding Spirit</span><br /><span style="font-weight: bold;">Gondwana CD</span><br />(GONCD 004)<br /><br /><br /><br /><br /><br /><span style="font-style: italic;">"One of the best musicians in the UK, no question about that" - Gilles Peterson</span><br /><br /><span style="font-style: italic;">Saxophonist Nat Birchall has always been something of an enigma, a sublimely soulful saxophonist hidden from view in the Northern hills. His debut album Sixth Sense (1998) first announced him to the jazz world as an urgent tenor saxophonist with a feel for pulsing modal hard-bop. But it was his cult hit and now highly sought after soulful slice of spiritual jazz Akhenaten (released on trumpeter Matthew Halsall's label, Gondwana Records, in 2009) that suggested that the spirit of Coltrane was alive and well in Northern England. Acclaimed by the critics (MOJO for one hailing its 'spacial sunship beauty' and 'lyrical heat haze hypnotism') Akhenaten together with Halsall's own releases 'Sending My Love' and 'Colour Yes' helped create the unique sound that the Independent On Sunday described as 'rain soaked spiritual jazz from Manchester". </span><br /><br /><span style="font-style: italic;">Growing up in a Northern Village, Birchall was hardly exposed to jazz but through some friends fell in love with roots reggae and dub in the early '70s and it was the legendary Jamaican jazz-influenced saxophonists, Cedric Brooks, Tommy McCook, that inspired him take up the saxophone and through them that he discovered the music of John Coltrane. Lessons with an enigmatic local player, Harold Salisbury, followed as well as playing with various bands including Akay Temiz's Zaman. Birchall led a hip-hop influenced jazz band Corner Crew in the early '90s and started to make a name for himself on the local scene but felt unsatisfied with the music and despite some encouragement from the legendary record producer Tony Hall (Dizzy Reece, Tubby Hayes etc) Birchall resisted the call of the London scene and continued to search for the music he felt inside. Meeting trumpeter Matthew Halsall and a group of like minded players (including pianist Adam Fairhall, bassist Gavin Barras and drummer Gaz Hughes) gathered around Matt & Phreds in Manchester proved an inspiration 'Suddenly I felt something special in the music. My music is very simple, harmonically and melodically, so you have to play with as much conviction and soul as possible because there's nothing to hide behind, just the truth of how you feel the music." And it is this soulful elegance that illuminates both Akhenaten and Birchall's more expansive follow-up Guiding Spirit.</span><br /><br /><span style="font-style: italic;">Guiding Spirit opens with Open Up The Gates invoking the idea of huge ancient gates being opened to allow the procession through but with a subtext of acceptance and recognition. Keep the Light Shining is a sunny tune, infused with the optimism of a new day, while Higher Regions has something of a McCoy Tyner vibe and features harpist Rachel Gladwin on kora. Going To The Mountain is inspired by a simple phrase that Birchall heard Pharoah Sanders play and has an eastern feel "I've always been in awe of how some musicians can play the simplest things yet invest them with so much meaning, I try to achieve the same quality when I play, and in working with this phrase I ended up with this melody". The uptempo Becoming is named for something Duke Ellington once said, that he liked to have his music always "in a state of becoming" (which Birchall feels as something like a flower opening as you look at it rather than just seeing the flower already opened) and is enhanced by Fairhall's luminous solo. Finally the rubato Guiding Spirit hints at the hidden forces or unconscious decisions (those gut feelings) that for Birchall drive both life and his own deeply felt music. </span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAu7wDxDuR-mrP9MaZ6F2mkwMYOhZoIVB8VXgM9CO2U91eMVhpkZDdKQwP0Fr_rbQs9DrJcxspMC4Imw8hA7-fCCWgWRUjY2qYmlrrD5hNgsCoR0kjphBOekWL5kszkZUUJv6oFtEcPYR0/s1600/ORCA001.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAu7wDxDuR-mrP9MaZ6F2mkwMYOhZoIVB8VXgM9CO2U91eMVhpkZDdKQwP0Fr_rbQs9DrJcxspMC4Imw8hA7-fCCWgWRUjY2qYmlrrD5hNgsCoR0kjphBOekWL5kszkZUUJv6oFtEcPYR0/s200/ORCA001.jpg" alt="" id="BLOGGER_PHOTO_ID_5473746705495945762" border="0" /></a>XI<br /><span style="font-style: italic;">A. The Ghost</span><br /><span style="font-style: italic;">AA. The Ghost (Headhunter Remix)</span><br /><span style="font-weight: bold;">Orca 12"</span><br />(ORCA 001)<br /><br /><br /><br /><br /><br /><span style="font-style: italic;">Orca Recordings was created to deliver music built for the dance-floor that retains its integrity by pushing its creative and production standards to a new level. Operating out of North London, Orca is set to represent forward-thinking artists who are influenced by, but not restricted to, the many strands of UK bass music. Created by one of the promoters of the seminal ‘Seasonfive’ event in Bristol, Orca has also been formed to document the style and variety of music made at such an exciting and innovative time for electronic music where so many genres are being blended together.</span><br /><br /><span style="font-style: italic;">The first release comes from X.I, one of the most exciting producers in bass music today. The track, named ‘The Ghost’ captures the exact sentiment and ethos of Orca. Right from the start XI creates an instant vibe with a short and energetic intro before the simple yet highly effective drum pattern and tough sub work out release this track's potential. Frequent changes in synth lines and detailed edits are brought together by a captivating vocal sample, sure to be remembered by the heads once they’ve left the club. On the flip, Headhunter still searing hot from his Addison's Groove outing on Swamp81, demonstrates exactly why he is one of the most sought after producers, as he puts his unique touch onto his remix of ‘The Ghost’. Headhunter’s trademark razor sharp drums and production expertise help draw attention to the amount of space he has created in this track, creating an unequalled sense of paranoia, making it perfect for both the club and headphone listening. The delayed synth chords, snarling mid range and the volatile movement of the pad combine with the power of the sub to give a meditational, eyes down vibe, now an uncommon commodity in UK bass music. </span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA_g1OU_7JiUhxhdpS-loVW3bvnTZKR0kRSP43IjgI5TyQTrDlZiBtcxjdtDwsV2va4Wda8Xbj6J1mcAlQb_5EIQ1xV-nvSPNs6jImri6O2ueLu6OPw9RzfPrJhpoRJcJNQgw70UsID4Jx/s1600/RR003.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA_g1OU_7JiUhxhdpS-loVW3bvnTZKR0kRSP43IjgI5TyQTrDlZiBtcxjdtDwsV2va4Wda8Xbj6J1mcAlQb_5EIQ1xV-nvSPNs6jImri6O2ueLu6OPw9RzfPrJhpoRJcJNQgw70UsID4Jx/s200/RR003.jpg" alt="" id="BLOGGER_PHOTO_ID_5473746860206460082" border="0" /></a>NAPHTA<br /><span style="font-style: italic;">A. Jungle Republic </span><rickyforce style="font-style: italic;" ramadanman="" mixes="">(Ricky Force Relick)<br />AA. </rickyforce><span style="font-style: italic;">Jungle Republic </span><rickyforce ramadanman="" mixes=""><span style="font-style: italic;">(Ramamdanman Refix)</span><br /><span style="font-weight: bold;">Ruff Revival 12"</span><br />(RR 003)<br /><br /><br /><br /><br /><br /><span style="font-style: italic;">The double-barrelled intensity continues with two very different remixes of Naphta's deep stepper, 'Jungle Republic'. Hotly-tipped Dublin-based producer RickyForce twists the original into an artfully hyperactive remix brimming with vibes, touching down somewhere between vintage Foul Play and Krome & Time.</span><br /><br /><span style="font-style: italic;">Meanwhile Hessle Audio don and all round man of the moment Ramadanman destroys the flip side with a radically different interpretation, referencing bleep and bass artists like Unique 3 and Ital Rockers to create an idiosyncratic dubstep version that looks to the past, while forging ahead into the future... </span><br /><br /><br /></rickyforce><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhf5jrJN_pViTTeZ264u6GcRHoPzivAVGzMmgKOcw26rACbo1H65rv7NjkdAeWrNxWbg-Kb3aHlHsPqO6F5NgZ_nyFGolcKb89ApVwTEF4pO7UCWS_adoSF34qenC93XKds9hBqyDgV00E/s1600/Model024.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhf5jrJN_pViTTeZ264u6GcRHoPzivAVGzMmgKOcw26rACbo1H65rv7NjkdAeWrNxWbg-Kb3aHlHsPqO6F5NgZ_nyFGolcKb89ApVwTEF4pO7UCWS_adoSF34qenC93XKds9hBqyDgV00E/s200/Model024.jpg" alt="" id="BLOGGER_PHOTO_ID_5473746954347471634" border="0" /></a><rickyforce ramadanman="" mixes="">CONFORCE<br /><span style="font-style: italic;">Black Strobe EP:</span><br /><span style="font-style: italic;">A. Black Stroke (Original Mix)</span><br /><span style="font-style: italic;">B1. </span></rickyforce><span style="font-style: italic;">Black Stroke (Kink & Neville Watson Remix)</span><br /><span style="font-style: italic;">B2. Pretty (Far From Here)</span><br /><rickyforce ramadanman="" mixes=""><span style="font-weight: bold;">Modelisme 12"</span><br />(MODELISME 024)<br /><br /><br /><br /><span style="font-style: italic;">After his glorious 'Machine Conspiracy' set for Meanwhile and his splendid prior "CCCP EP" on Modelisme, which was charted & supported by names such as Steve Bug, Djulz, Ewan Pearson, François K, Brendon Moeller, Kirk Degiorgio, Mike Dehnert, Giorgio Gigli... Conforce strikes back on Modelisme with another great release titled "Black Stroke ep". The original is an hymnic detroitish tune, the swinging groove and the right strings, highly sensitive materials. Guests on this ep, the excellent Kink & Neville Watson worked out an old school acid house remix within a typical chicago vein - they know what to do. To round things off "Pretty far from here" is a superb old school house track, subtle deep funky sounds on raw beats with a sensual mood. A must have. Modelisme again, Conforce - well nigh essential.</span><br /><br /><br /></rickyforce><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-mwqwI3oKaO2LIrVtk20hqAOGfyTNySePEYGWBdP7-UGR-tM2HKSTOW0z7h8sqLN5HZLrWRaEgt2rnP5CRP2tPMWmFWxqQuhSJFPeX6PiJsLywEnl_TdIpMFgp5WfG6Yv5svvirP5vt-x/s1600/ES002.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-mwqwI3oKaO2LIrVtk20hqAOGfyTNySePEYGWBdP7-UGR-tM2HKSTOW0z7h8sqLN5HZLrWRaEgt2rnP5CRP2tPMWmFWxqQuhSJFPeX6PiJsLywEnl_TdIpMFgp5WfG6Yv5svvirP5vt-x/s200/ES002.jpg" alt="" id="BLOGGER_PHOTO_ID_5473747087541960866" border="0" /></a><rickyforce ramadanman="" mixes="">ANTONZAP<br /><span style="font-style: italic;">Social Background:</span><br /><span style="font-style: italic;">A. Can't Tell You</span><br /><span style="font-style: italic;">B. </span></rickyforce><span style="font-style: italic;">Social Background</span><br /><rickyforce ramadanman="" mixes=""><span style="font-weight: bold;">Ethereal Sound 10"</span><br />(ES 002)<br /><br /><br /><br /><br /><span style="font-style: italic;">Deep Explorer, Underground Quality, Uzuri, Quintessentials, Kontra Musik, Millions of Moments, the list of this Russian producer's releases reads like a who's who of some of today's finest, most forwards thinking house imprints. Here he returns to Ethereal Sound in fine style by way of a follow up to his take on 'I Get No Kick From Champagne' - dopest quality house jams united with poise and that certain feeling.</span><br /><br /><br /></rickyforce><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUZyKRIwl5inVEAKBYKeZC5_SElj7bGd6sp1d7Vf-7A7jsihhg0GJciHSBaEkywWWc7403Wjstn1x0spCw9cbXnfKMTpPd-XFIeSGJaQ0leGYHXxSnCsqwrDmLqLa2WplM71PqE3u5IHKG/s1600/BASE001.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUZyKRIwl5inVEAKBYKeZC5_SElj7bGd6sp1d7Vf-7A7jsihhg0GJciHSBaEkywWWc7403Wjstn1x0spCw9cbXnfKMTpPd-XFIeSGJaQ0leGYHXxSnCsqwrDmLqLa2WplM71PqE3u5IHKG/s200/BASE001.jpg" alt="" id="BLOGGER_PHOTO_ID_5473747201941815570" border="0" /></a><rickyforce ramadanman="" mixes="">JEREMIAH FT. VUSA MKHAYA<br /><span style="font-style: italic;">Khawuleza:</span><br /><span style="font-style: italic;">A1. (DJ Aly Meghji Vocal Mix) <br />A2. (DJ Aly Meghji Instrumental Mix) <br />B. (Oracy's Phantom Sound Mix) </span><br /><span style="font-weight: bold;">Balance Alliance Special Edition clear vinyl 12" </span><br />(BASE001)<br /><br /></rickyforce>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-67217991354288235092010-05-14T12:48:00.016+01:002010-05-14T14:38:42.855+01:00Immerse Join Baked Goods<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL0T6fVgNHxKbWTKcNb260SD7wASQqXFeTmsPdrOmxqvKtRuIwtPwX3gCfoZd8dehagNHFWMdGEENAMfQcQwrIzk-VWoF1AC_cegXGfII3QcxrqQagCcpOIghnPNJwIBY3mAIAUIujCZO1/s1600/immerse-logo.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 127px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL0T6fVgNHxKbWTKcNb260SD7wASQqXFeTmsPdrOmxqvKtRuIwtPwX3gCfoZd8dehagNHFWMdGEENAMfQcQwrIzk-VWoF1AC_cegXGfII3QcxrqQagCcpOIghnPNJwIBY3mAIAUIujCZO1/s200/immerse-logo.jpg" alt="" id="BLOGGER_PHOTO_ID_5471094900867921490" border="0" /></a>Baked Goods are proud to announce the addition of the Immerse Records catalogue to our distributed labels - titles currently available:<br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFE2eMsB4k8MsnmdBjUwbf6Zc7SDcfzGKUdkCU-BdevsIGOAthg2h57YRlGCS4eEOz-0dpEsagH4aDl-lngkwiiLsh9_1tY-9aUDSLkwB747twykeyQS44avnAwCuG4ijh_KEivMfYruhL/s1600/IME007.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 171px; height: 175px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFE2eMsB4k8MsnmdBjUwbf6Zc7SDcfzGKUdkCU-BdevsIGOAthg2h57YRlGCS4eEOz-0dpEsagH4aDl-lngkwiiLsh9_1tY-9aUDSLkwB747twykeyQS44avnAwCuG4ijh_KEivMfYruhL/s200/IME007.jpg" alt="" id="BLOGGER_PHOTO_ID_5471116751236528898" border="0" /></a>TRG<br /><span style="font-style: italic;">Time Is Now / They Know</span><br /><span style="font-weight: bold;">12"</span><br />(IME 007)<br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAEqmfQR9sAPIFGS6_Ux3XBsu8oCxwcpCoAJixtAIBbxyGA6eW-ETd8oSbgq8kId3RcMa6fPTMeF1Ix2OyE_-MVe7PIGlpo2UqVU29e9LbPd5vuUgT-JgAX81GrX8R47_YP9K6KvD7AZtQ/s1600/IME010pt1.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 172px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAEqmfQR9sAPIFGS6_Ux3XBsu8oCxwcpCoAJixtAIBbxyGA6eW-ETd8oSbgq8kId3RcMa6fPTMeF1Ix2OyE_-MVe7PIGlpo2UqVU29e9LbPd5vuUgT-JgAX81GrX8R47_YP9K6KvD7AZtQ/s200/IME010pt1.jpg" alt="" id="BLOGGER_PHOTO_ID_5471116872589651250" border="0" /></a>KUMA / KONTEXT<br /><span style="font-style: italic;">Refix EP</span><br /><span style="font-weight: bold;">12"</span><br />(IME 010PT1)<br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7Kf93Wlr8BjgaABvB0gjJbX5khIISr1-pVpZ12ucknN4oriLen1uY2HgdJOCLYrOFY3M8eUE3DoPrEU8UaPKd28nBGDqHdgcfVddEQzUWq8e_XqzYVy7ZBRehXdd6gLkPBMnidS4g_A-L/s1600/IME010pt2.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 171px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7Kf93Wlr8BjgaABvB0gjJbX5khIISr1-pVpZ12ucknN4oriLen1uY2HgdJOCLYrOFY3M8eUE3DoPrEU8UaPKd28nBGDqHdgcfVddEQzUWq8e_XqzYVy7ZBRehXdd6gLkPBMnidS4g_A-L/s200/IME010pt2.jpg" alt="" id="BLOGGER_PHOTO_ID_5471117103401837138" border="0" /></a>TRG / KONTEXT<br /><span style="font-style: italic;">They Know / Plumes (Relocate Remix)</span><br /><span style="font-weight: bold;">12"</span><br />(IME 010PT2)<br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4oNPcrKBh7aUlSXxj711e_yqs_DvJzBxH4FbR-QV6h3Zal-coXz61A5ONyJGlPte9TwAcgQ_CbfO50pEFBB6QhgcgadtsVv4MUkdcbIotYEIkAn5S43v-RCsjxnT1kY6eVmYsvlw-aZSx/s1600/IME011.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 173px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4oNPcrKBh7aUlSXxj711e_yqs_DvJzBxH4FbR-QV6h3Zal-coXz61A5ONyJGlPte9TwAcgQ_CbfO50pEFBB6QhgcgadtsVv4MUkdcbIotYEIkAn5S43v-RCsjxnT1kY6eVmYsvlw-aZSx/s200/IME011.jpg" alt="" id="BLOGGER_PHOTO_ID_5471117295281900130" border="0" /></a>KONTEXT<br /><span style="font-style: italic;">Convex Curved Mirror / Hometown Swamp</span><br /><span style="font-weight: bold;">12"</span><br />(IME 011)<br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzd7Kus-WAL3nCr6BOtMCeZ6x_alU57k91WzjcmJGT52gVcFugxz-7GhECndr9OKY5kkFU66rxngj_Q63i-8ezb_3TxmAwsqZkeSGy8_OUacZsw3YGj5D4cNwp-qMzV83tv0XWzqJe49b3/s1600/IME012.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 172px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzd7Kus-WAL3nCr6BOtMCeZ6x_alU57k91WzjcmJGT52gVcFugxz-7GhECndr9OKY5kkFU66rxngj_Q63i-8ezb_3TxmAwsqZkeSGy8_OUacZsw3YGj5D4cNwp-qMzV83tv0XWzqJe49b3/s200/IME012.jpg" alt="" id="BLOGGER_PHOTO_ID_5471117480943680818" border="0" /></a>GATEKEEPER / APPLEBLIM<br /><span style="font-style: italic;">Hades / Tomb VIP</span><br /><span style="font-weight: bold;">12"</span><br />(IME 012)<br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMziloMQ6h9ld6p6qO8l2PRkxd0yPlklyOb8UqK6Z-6VC02zotGCjwcd3_LeaHDavrzsgYrkRRTlDxDt5ZVi3SKoIzfFitBfQCgLWzFyf2VA7cywn0P3cWWgfosWifCdPDu4ol1G-1K43Y/s1600/IME013.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 169px; height: 171px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMziloMQ6h9ld6p6qO8l2PRkxd0yPlklyOb8UqK6Z-6VC02zotGCjwcd3_LeaHDavrzsgYrkRRTlDxDt5ZVi3SKoIzfFitBfQCgLWzFyf2VA7cywn0P3cWWgfosWifCdPDu4ol1G-1K43Y/s200/IME013.jpg" alt="" id="BLOGGER_PHOTO_ID_5471117669613581442" border="0" /></a>OCTOBER<br /><span style="font-style: italic;">Elephants / Medium</span><br /><span style="font-weight: bold;">12"</span><br />(IME 013)<br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Z6vJ8TKFb0wm7_urDbkHTPYq3Sh_F5qy9E_foxoM07VtbQLpQ3R-o_o8hPQLrPzT_oq25gsjDxmK2J-O-4vSf38OPIMeTvsb5_gClhYOWkM_T479VwG9BwZquuwGYh4vFHYYEKyqw2Am/s1600/IME014.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 171px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Z6vJ8TKFb0wm7_urDbkHTPYq3Sh_F5qy9E_foxoM07VtbQLpQ3R-o_o8hPQLrPzT_oq25gsjDxmK2J-O-4vSf38OPIMeTvsb5_gClhYOWkM_T479VwG9BwZquuwGYh4vFHYYEKyqw2Am/s200/IME014.jpg" alt="" id="BLOGGER_PHOTO_ID_5471117799914337714" border="0" /></a>SIGHA & SPHERIX<br /><span style="font-style: italic;">Separation / Lesser People</span><br /><span style="font-weight: bold;">12"</span><br />(IME 014)<br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ4H9o0WlJWr1aa5Qj9X2dLEZg7NcoRfFG4ZIuvdBgezfjmU95tY982po3r1mJ2IszU2fZq2VQ9DtLz-0QYSHnbWA4CNY-oThWlAdIlvvoocmE2m5vg-2nz6fyJMvmNLJOC8gnSNGmA-jn/s1600/IME015.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 172px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ4H9o0WlJWr1aa5Qj9X2dLEZg7NcoRfFG4ZIuvdBgezfjmU95tY982po3r1mJ2IszU2fZq2VQ9DtLz-0QYSHnbWA4CNY-oThWlAdIlvvoocmE2m5vg-2nz6fyJMvmNLJOC8gnSNGmA-jn/s200/IME015.jpg" alt="" id="BLOGGER_PHOTO_ID_5471118033493630754" border="0" /></a>XI<br /><span style="font-style: italic;">000 / Slippin</span><br /><span style="font-weight: bold;">12"</span><br />(IME 015)<br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy_v-3Vwi5K66XeLaide4DZWdKmNdapZ18XacaMJOW4ypM9WT-Tn5U1eUxE-3p30IShNtiWMNTAB4ecJKufzjCRNzVX5jkvE9T_Kzb2k06HHYHcbgNu4K7Tt1ZPpS6ikp-Q1Gju7sjwUs2/s1600/IME016.jpeg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 164px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy_v-3Vwi5K66XeLaide4DZWdKmNdapZ18XacaMJOW4ypM9WT-Tn5U1eUxE-3p30IShNtiWMNTAB4ecJKufzjCRNzVX5jkvE9T_Kzb2k06HHYHcbgNu4K7Tt1ZPpS6ikp-Q1Gju7sjwUs2/s200/IME016.jpeg" alt="" id="BLOGGER_PHOTO_ID_5471118181634115794" border="0" /></a>KONTEXT<br /><span style="font-style: italic;">Dissociate</span><br /><span style="font-weight: bold;">3LP</span><br />(IME 016)<br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsoJEnJFsTCKeHC9uK7njRu3XUQq2w3VkrGv6xganMt4hbTLNmQPzOa__LLPGs2RxRjNSp6apFB0iPm_WlZVNiEvoeGhLGWVXtgMOZcXoCVvNtJU3WEIUl6kSl_-Nr3a7C0UCXMu7zs-dR/s1600/ime017.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 169px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsoJEnJFsTCKeHC9uK7njRu3XUQq2w3VkrGv6xganMt4hbTLNmQPzOa__LLPGs2RxRjNSp6apFB0iPm_WlZVNiEvoeGhLGWVXtgMOZcXoCVvNtJU3WEIUl6kSl_-Nr3a7C0UCXMu7zs-dR/s200/ime017.jpg" alt="" id="BLOGGER_PHOTO_ID_5465222767459937554" border="0" /></a>ASUSU / FURESSHU<br /><span style="font-style: italic;">A. Togetherness<br />AA. Horizons (Asusu Remix)</span><br /><span style="font-weight: bold;">12"</span><br />(IME 017)Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-51957452777325055932010-05-14T11:47:00.006+01:002010-05-14T12:47:09.444+01:00May 17th 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvPPzmdayWoK9HolS_ULtJN-HfA6BkDlCRk5W7I5FmccbWmZDAvxIlBOm6HA74nYPnarGZmmTApoEUn-BmsxKQWLB7BphJXTzhBKF_TCN3Pvb_qjKo2xc5ynWpP2PfQGGWpDBUAQ2c5rra/s1600/DUBK012CD.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 151px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvPPzmdayWoK9HolS_ULtJN-HfA6BkDlCRk5W7I5FmccbWmZDAvxIlBOm6HA74nYPnarGZmmTApoEUn-BmsxKQWLB7BphJXTzhBKF_TCN3Pvb_qjKo2xc5ynWpP2PfQGGWpDBUAQ2c5rra/s200/DUBK012CD.jpg" alt="" id="BLOGGER_PHOTO_ID_5471086835889545186" border="0" /></a>DUBKASM<br /><span style="font-style: italic;">Transform I - Remixed</span><br /><span style="font-weight: bold;">Sufferah's Choice CD </span><br />(DUBK012CD)<br /><br /><br /><br /><br /><br /><span style="font-style: italic;">1. From the Foundation (feat. Dub Judah) (Pinch remix)</span><br /><span style="font-style: italic;">2. City Walls (feat. Ras Addis) (Gemmy remix)</span><br /><span style="font-style: italic;">3. More Jah Songs (feat. Tena Stelin) (RSD remix)</span><br /><span style="font-style: italic;">4. Moses (feat. Ras B) (Forsaken remix)</span><br /><span style="font-style: italic;">5. Strictly Ital (feat. Ras Addis) (Peverelist remix)</span><br /><span style="font-style: italic;">6. Respek I-spek / Touch I Heart (feat.Levi Roots & Afrikan Simba) (Appleblim & Gatekeeper remix)</span><br /><span style="font-style: italic;">7. Nyah Keith (Guido remix)</span><br /><span style="font-style: italic;">8. Transformai (feat. Ras Bernardo & Jeru Banta) (Hyetal remix)</span><br /><span style="font-style: italic;">9. Hail Jah (feat. Ras Addis) (Jakes remix)</span><br /><span style="font-style: italic;">10. Foundational Dub (feat. Dub Judah) (Headhunter remix)</span><br /><span style="font-style: italic;">11. 'Transform I' Trailer (Video) </span><br /><br /><span style="font-style: italic;">Bristolian roots reggae outfit Dubkasm have rounded together ten of the city's A-list dubstep producers to contribute to their Transform I - Remixed album. Quite aside from being a compulsively listenable and frequently brilliant reconstruction of Dubkasm’s Transform I album, this upcoming remix project acts as a tidy summary of – and an excellent introduction to – some of the Bristol dubstep community’s best-known practitioners. The rootsy feel of the source material is faithfully adhered to throughout, lending coherence despite the oft-idiosyncratic nature of each version. So Peverelist’s take on ‘Strictly Ital’ is equally indebted to jungle and techno, both Gemmy and Guido’s tracks drown samples of the original instrumentation in synthetic melody and Forsaken turns ‘Moses’ into a characteristically bizarre Latinised stomp. Best of all has to be Gatekeeper & Appleblim’s bewitching turn on ‘Respect I-Spek’, splicing the original into a mini-epic that’s equal parts devotional ritualism and club propulsion.</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig876VuiiaIbmpRULx3An2X9GfL7kMTHqpNne0W6n6T_WEBpjn7LJ7pmu6ALnWj7FuBEIWfQNfrYfqDzwFtBlAwEfZVHhB8IkbohOXArAfjs197hQZ-9q-5F3670ktUGZcD6jMy_nDYkJa/s1600/SMR006.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig876VuiiaIbmpRULx3An2X9GfL7kMTHqpNne0W6n6T_WEBpjn7LJ7pmu6ALnWj7FuBEIWfQNfrYfqDzwFtBlAwEfZVHhB8IkbohOXArAfjs197hQZ-9q-5F3670ktUGZcD6jMy_nDYkJa/s200/SMR006.jpg" alt="" id="BLOGGER_PHOTO_ID_5471085902761298098" border="0" /></a>GEIOM / HEADHUNTER & INVISIBLE<br />Luna / Luv_Dup<br /><span style="font-weight: bold;">Soul Motive 12" </span><br />(SMR 006)<br /><br /><br /><br /><br /><br /><br /><span style="font-style: italic;">"...already big with Mary Anne, MistaJam and Skream, Headhunter, Geiom and co on a highly addictive funky flex"</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEmrMQfwVkyH0aTWKCGAxOqpjmJLTh7lW1CHBew6oqGKrZQtJaxzi0FAo8M38FvJO7AfcCrcORL-owim7SUBsYoLry23R3i6LU86TpLw3hUMFWeBILSNO6HDDiK56ZeWDemusoQpEdGQKV/s1600/LDN017A.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEmrMQfwVkyH0aTWKCGAxOqpjmJLTh7lW1CHBew6oqGKrZQtJaxzi0FAo8M38FvJO7AfcCrcORL-owim7SUBsYoLry23R3i6LU86TpLw3hUMFWeBILSNO6HDDiK56ZeWDemusoQpEdGQKV/s200/LDN017A.jpg" alt="" id="BLOGGER_PHOTO_ID_5471089743107770690" border="0" /></a>LV feat JOSH IDEHEN<br /><span style="font-style: italic;">38 EP</span><br /><span style="font-style: italic;">A1. Lost A2. Early Mob A3. Your Coat </span> <span style="font-style: italic;"><br />B1. Walk It B2. Face of God </span><br /><span style="font-weight: bold;">Keysound 12"EP </span><br />(LDN 017) <br /><br /><br /><br /><br /><br /><span style="font-style: italic;">Keysound Recordings are proud to present the "38 EP" from the bass-heavy production trio, LV. All five tracks from the Hyperdub recording artists feature the ramblings and reflections of grime-inspired spoken wordsmith, Josh Idehen. It finds him sitting in the seat of five different passengers on east London's 38 bus as it winds from Clapton, imagining different people's worlds, as they journey via Hackney Central into the dark heart of the city.</span> <span style="font-style: italic;">"It's obvious you don't get on with this metropolis, The big smoke's a big joke and you're the butt of it. Not like before when you were sure you'd fall in love with it eventually? Pity cos the city don't like optimists…"</span><br /><br /><span style="font-style: italic;">The EP comprises exclusive tracks "Lost," "Early Mob," "Your Coat," and "Walk It" before ending in "Face of Go," where we find LV's sound stripped back to its dark exoskeleton, as far as Kode9's beatless dread-bass "Sine of the Dub." The 38 is both a celebrated and maligned London bus route and was name-checked by Wiley in freestyles ("38 bus/you don't want to see my .38 buss"). The route was one of the last to be served by the classic hop-on-the-back Routemasters. It was then served using the "bendy" busses, which were infamous for their ability to let fair dodgers nip on in the middle. They were finally phased out the weekend before the photos for this 12" were taken in Clapton, east London.</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-73346645301334475402010-05-07T14:54:00.007+01:002010-05-07T16:11:49.821+01:00May 10th 2010 Release<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM1UqmpEGIefuzOr8iTcW1tvaKs-0t48IWLoj6s5v2qxkwNgrLAy5Pu7IclBAxDp4XOzXCM2LYtcBA3um20LNT7QgvtZwlCcKqKs3zmB3us1s3fm4aedF6zxblbr8W7jnuLAAk1OsURX0w/s1600/CVANCD003.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM1UqmpEGIefuzOr8iTcW1tvaKs-0t48IWLoj6s5v2qxkwNgrLAy5Pu7IclBAxDp4XOzXCM2LYtcBA3um20LNT7QgvtZwlCcKqKs3zmB3us1s3fm4aedF6zxblbr8W7jnuLAAk1OsURX0w/s200/CVANCD003.jpg" alt="" id="BLOGGER_PHOTO_ID_5465214073577071474" border="0" /></a>ANTONI MAIOVVI<br /><span style="font-style: italic;">The Thorns of Love </span><br /><span style="font-weight: bold;">Caravan 2LP</span> (CVAN012)<br /><br /><span style="font-style: italic;">A. This Is The Beast </span><br /><span style="font-style: italic;">B. The Sigh From The Sky Was A Lie Without Doubt</span><br /><span style="font-style: italic;">C. Class Dagger </span><br /><span style="font-style: italic;">D. Horsehead Blue</span><br /><br /><span style="font-style: italic;">Antoni Maiovvi's "The Thorns Of Love" is a Liebes-Arie to a broken heart. An embrace of Italian drama and euphoric fear. His music exists somewhere between Patrick Cowley's Hi-NRG epics, Arthur Russell's melancholic beauty and John Carpenter's traumatizing soundtracks. Antoni Maiovvi is the name by which Anton Maiof unleashes his bastard offspring of disco and psychotronic horror and here with "The Thorns of Love" he has produced a deeply personal symphony to a lover lost and the sanctifying power of the dancefloor. Following the release of the highly acclaimed eponymously titled album from emptyset, Caravan Recordings steps into the ravine of heartache to shine a light on Bristol's underground disco hero Antoni Maiovvi. </span> <span style="font-style: italic;"><br /><br />Antoni Maiovvi is a nefarious creature of the night, a figure of twilight opulence and the love child of Evelyn Thomas and Lucio Fulci conceived in the lurid backrooms of the Boccaccio Club. The sweatbox is in his DNA, throbbing analogue circuitry courses through his flesh like rivers of blood and where his heart once lived there is now only yearning for the alchemical marriage of sex, death and technology. From Naples to Frankfurt he has stalked the dancefloors of Europe planning this moment and at last in this compendium of unbridled fist-clenchers his time has come. Now he will stop at nothing to bring his arpeggiated talisman down onto the souls of men, squeezing out that last breath of humanity in a pulsing Dantean dance-macabre. </span> <span style="font-style: italic;"><br /><br />"The Thorns of Love" (Antoni's 3rd album) takes a unique muscular and cerebral approach to electronic dance music bringing together the Italo love explosion, spine-tingling Euro-horror and the melancholic proto-techno musings of early Model 500 and ShareVari. Maiovvi takes the helm of this noir-tinged Trojan horse carving out a dancefloor machine with commanding synth-work, operatic drums and mind-bending atmospherics. As the album climaxes and the smoke pours across a crowded room he steps out from the shadows and delivers his final eulogy to 20th Century hedonism, preaching with the unhinged vocals of a coked up Bryan Ferry. Love may be the drug but for Maiovvi death can be the only future.<br /></span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-25186287672762108802010-04-28T16:59:00.008+01:002010-05-07T15:15:58.860+01:00May 4th 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfXaFQK8FnyrsCqdjho7mumLhO3fu88R0mKahti9YPzKUS5crbWjxZSY0ap0Te54YYbpfFF6V3DrrNOE_GfFvllP9XXi2wfVdbzCB64rwYu_e3J2cKUdrL_KxNalJTvF3I0arghB1gqOkr/s1600/WHITEBOX005.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfXaFQK8FnyrsCqdjho7mumLhO3fu88R0mKahti9YPzKUS5crbWjxZSY0ap0Te54YYbpfFF6V3DrrNOE_GfFvllP9XXi2wfVdbzCB64rwYu_e3J2cKUdrL_KxNalJTvF3I0arghB1gqOkr/s200/WHITEBOX005.jpg" alt="" id="BLOGGER_PHOTO_ID_5465219970905864082" border="0" /></a>RICHARD A. INGRAM<br /><span style="font-style: italic;">Consolamentum </span><br /><span style="font-weight: bold;">White Box Recordings CD </span><br />(WHITEBOX 005)<br /><br /><br /><br /><br /><br /><br /><object width="100%" height="81"> <param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fwhitebox%2Fwhitebox005-richard-a-ingram-the-melioramentum"> <param name="allowscriptaccess" value="always"> <embed allowscriptaccess="always" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fwhitebox%2Fwhitebox005-richard-a-ingram-the-melioramentum" type="application/x-shockwave-flash" width="100%" height="81"></embed> </object> <span><a href="http://soundcloud.com/whitebox/whitebox005-richard-a-ingram-the-melioramentum">WHITEBOX005 - Richard A Ingram 'The Melioramentum'</a> by <a href="http://soundcloud.com/whitebox">whitebox</a></span><br /><br /><span style="font-style: italic;">- 'Consolamentum is a mature, cohesive and powerful work a world away from Ingram’s day job' (Mapsadaisical)</span><br /><br /><span style="font-style: italic;">- 'a fascinating piece of experimental work, which, despite its minimal settings, is rich in textures. He is here very much in control of his music and of the moods he manipulates, and convincingly assembles them to carry his narrative from one end of the record to the other' (The Milk Factory)</span><br /><br /><span style="font-style: italic;">Richard A Ingram's 'Consolamentum' is a bold body of work and a fearless statement of intent. As guitarist in Manchester-based rock outfit Oceansize, little in Richard's day job suggests either the genesis or the source of this album. This music comes from somewhere else entirely, some undefined centre; organic and ever expanding, fiercely powerful compositions, tonal explorations and melodies, with Richard himself as its source, rather than any vague sum of 'influences'.</span> <span style="font-style: italic;"><br /><br />Following a self-released CD-R EP, 'Consolamentum' is Richard's debut solo album. From its opening moments the ambition of Ingram's work is immediately apparent; where did this come from? Words really cannot do this music justice, if only because the assuredness of the music speaks for itself. Using electric and nylon string guitars, piano, a variety of tape recorders and assorted electrical equipment, 'Consolamentum' casts an oppressive shadow over a distant and very dark horizon, a vision of bleak futurism. </span> <span style="font-style: italic;"><br /><br />While Richard admits to taking inspiration for the track titles from the history of the Cathars, he is adamant that 'this is not a fucking religious concept album'. There is an unstated narrative in the album's six track titles, but it is the sequence and flow of the music which creates its own narrative. 'Consolamentum' is not 'a score for a film not yet written', nor is it ambient 'drift' designed to soundtrack some nebulous void between waking and sleeping - current and lazy 'ambient music' tropes are inapplicable to this (and any) music so demanding of attention. 'Consolamentum' could be classed as some form of 'acoustic doom', perhaps some form of drone based music, but it is none of these things; it exists entirely in a realm of its own.<br /><br /></span><span style="font-style: italic;">Despite its title, the opening track 'Kll Thm ll…' presents a cautiously optimistic entry point, and is something of an overture for what follows: melody emerges from a backdrop of machine hum, where curious tonal phases suggest something unfamiliar yet exultant. Then comes the statement of 'de Montfort', its sustained, opening (treated) piano chord planted with determined finality. Creeping piano segments and washes of static tape hiss create a tension that builds and builds, until it finally resolves back to its opening piano chord, bringing everything full circle. The beauty is in the simplicity of the parts - Ingram's expressive playing and economical approach to the pieces, at times lo-fi, at times presented like field recordings, is the key to these stunning and peculiar arrangements. Take for example, the lurching, emptiness of title track 'Consolamentum', its drunken, hazy detuned guitar phrases, low and sustained, submerged under an ever present silence…the result is deeply unsettling. Melancholic throughout, Ingram's music does not let up. 'Beziers' exacerbates the tension further, and, as the longest track, acts as a kind of centrepiece, embodying all of the above while never losing sight of where the track is heading. 'The Melioramentum' and then '…Gd Wll Rcgnz Hs wn' feel like mournful recapitulations of the four tracks so far, but there is little consolation offered, as the album comes to a close with the sound of all the machines slowly being switched off, until there is just hiss, and then it ends.<br /><br /></span><span style="font-style: italic;">'Consolamentum' is the work of an assured artist; it is as at times as stark as the grim Manchester skyline of the cover picture, and probably won't entertain any listener seeking a bedtime ambient soundtrack. However there is still an undeniably euphoric core to 'Consolamentum', but one which feels more closely related to that point at which pain is surpassed and becomes pleasure - like something pushed beyond its point of maximum tolerance, way beyond the threshold, transforming negatives into positivity. </span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsoJEnJFsTCKeHC9uK7njRu3XUQq2w3VkrGv6xganMt4hbTLNmQPzOa__LLPGs2RxRjNSp6apFB0iPm_WlZVNiEvoeGhLGWVXtgMOZcXoCVvNtJU3WEIUl6kSl_-Nr3a7C0UCXMu7zs-dR/s1600/ime017.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 169px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsoJEnJFsTCKeHC9uK7njRu3XUQq2w3VkrGv6xganMt4hbTLNmQPzOa__LLPGs2RxRjNSp6apFB0iPm_WlZVNiEvoeGhLGWVXtgMOZcXoCVvNtJU3WEIUl6kSl_-Nr3a7C0UCXMu7zs-dR/s200/ime017.jpg" alt="" id="BLOGGER_PHOTO_ID_5465222767459937554" border="0" /></a>ASUSU / FURESSHU<br /><span style="font-style: italic;">A. Togetherness<br />AA. Horizons (Asusu Remix)</span><br /><span style="font-weight: bold;">Immerse 12"</span><br />(IME 017)<br /><br /><br /><br /><br /><br /><span style="font-style: italic;">Bristol's Immerse label is on something of a roll at the moment and whilst still basking in the glory of the incredible debut LP from Russian wunderkind Kontext, they set force with the imprint's debut single from Asusu. Asusu christened Craig Stennett hails from Gloucestershire in the west of England where he has been developing his own twisted take on infused sounds of dub and techno.</span><br /><br /><span style="font-style: italic;">The A side of this single comes in the shape of 'Togetherness' a brand new recording from Asusu that tears down the walls between techno, garage, house and dub. Broken garage inspired drums and intense deep bass notes provide the undercarriage for a heady mix of rich synth lines and warm washes of ethereal pads. 'Togetherness' is an instantly engaging and highly inventive piece of electronic music that immediately marks Asusu out as a production talent to watch.</span><br /><br /><span style="font-style: italic;">The flipside is an Asusu remix of Furesshu's recent release for Project Squared, entitled 'Horizons'. Here Asusu manages to beautifully gel an upbeat rhythm section with a deeply entrancing soundscape of off kilter Detroit inspired sythns. This is heads down hypnotic techno of the highest quality and goes to show the breadth of ability that this young producer has to hand. 'Horizons' (Asusu's Strip Lit Mix) is a surefire late night winner and is certain to find it's place at the core of many twisted early morning sets in the months to come.</span><br /><br /><span style="font-style: italic;">Immerse continue their blatant disregard for genre pigeonholing and acutely passionate dedication to quality electronic music at every step, this single is yet another marker in the ongoing history of a great British label.</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe8vP-w7dhbvVHrnUBcbZoUG3V5lzyLB54EcxK6YDuvNS7TWQ6XGnJU2xjHaJ_aX-vEm5AwePwZvTOpK9DHr84SSg4SbytLq5uCvHVjGm0_SF7V0tWG3ol5kkx2RY8nAehRO6jtDJaPA78/s1600/RTCN004.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe8vP-w7dhbvVHrnUBcbZoUG3V5lzyLB54EcxK6YDuvNS7TWQ6XGnJU2xjHaJ_aX-vEm5AwePwZvTOpK9DHr84SSg4SbytLq5uCvHVjGm0_SF7V0tWG3ol5kkx2RY8nAehRO6jtDJaPA78/s200/RTCN004.jpg" alt="" id="BLOGGER_PHOTO_ID_5465226413441738386" border="0" /></a>FUNK ETHICS<br /><span style="font-style: italic;">A. Razor Boy<br />B. Broken Soul Music </span><br /><span style="font-weight: bold;">Reduction 12" </span><br />(RDCTN 004)<br /><br /><br /><br /><br /><br /><span style="font-style: italic;">Long-anticipated return of the excellent Reduction label out of Bristol town. Funk Ethics are welcomed after a very well received debut tune on the Destructive/Pitch Black compilation series 'Our Sound' . 'Razor Boy' treads a knife edge most delightfully, mighty sized subs add significant low-end weight to a mighty original riddim, its plucked motif is particularly redolent of some of the recent developments from the likes of Kowton, XXXY, Indigo - you perhaps begin to get the picture....but this is deepest soulful electronic club music. 'Broken soul music' - well, the clues rest in the title - stone killer low end boogie music. Another highly imaginative flex from the Reduction camp, as it gathers some serious momentum - watch out!</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-45485265868149137752010-04-28T16:30:00.007+01:002010-04-28T16:59:28.862+01:0026th April 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyPV920eE-UZcC475Sm-P2eVCpzDN-O9-tEuneOTjIlVQZs2y3IsIVoz40IFaKmGCefYvKBFmyxpSWb8dAx50ZoQNRvtgdtwl4oHz5RYOb4gwKtYWel_8xU6ocGTN5pgvzz25GlDg2oJA_/s1600/3BY3005.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyPV920eE-UZcC475Sm-P2eVCpzDN-O9-tEuneOTjIlVQZs2y3IsIVoz40IFaKmGCefYvKBFmyxpSWb8dAx50ZoQNRvtgdtwl4oHz5RYOb4gwKtYWel_8xU6ocGTN5pgvzz25GlDg2oJA_/s200/3BY3005.jpg" alt="" id="BLOGGER_PHOTO_ID_5465211361553576834" border="0" /></a>DEAD FADER<br /><span style="font-style: italic;">Corrupt My Examiner </span><br /><span style="font-weight: bold;">3By3 CD </span><br />(3BY3 005)<br /><br /><br /><br /><br /><br /><br /><span style="font-style: italic;">- 'It's playful but sick. Like a puppy with extremely sharp teeth' </span> <span style="font-style: italic;">(Justin K Broadrick AKA Jesu / Godflesh)</span> <span style="font-style: italic;"><br /><br />- 'Heavy like Cloaks but a little more groovin at the same time. Metalstep.' </span> <span style="font-style: italic;">(Kid Kameleon)</span> <span style="font-style: italic;"><br /><br />Rollin', batterin', FUBAR-steppin', maxed-out, funky-ass bastards. That's who Dead Fader are. If the sound destroyin' processes of Cloaks aren't enough of that type o' violent (adopt Clay Davis tone) 'shiieeeett' for your sick head, 3BY3 come correct again, and drop this unrelenting abomination of a record. On first impression it's hardly a production sound you'd associate with the backdrop of Dead Fader's home base, Brighton. This sounds more like it was born out of some grim industrial slum on lockdown, all pent up anger and a serious need to party hard; 2-step garage from a Hair Police state.</span> <span style="font-style: italic;"><br /><br />Dead Fader's hybrid of distorto-death grooves, limited-to-hell wonky-not-wonky productions, sound like Distance playing though Slayer's back line…bit-crushed by inhuman hands, 2-step gets rammed face first through analog chains, that speakers (and ears) simply weren't designed to handle. Like Sunn O))) say, 'Maximum volume yields maximum results' - apply this to Dead Fader and you're likely to have your neighbours ASBOing your righteous ass all the way to the seaside. Pretty it ain't! But grooves??? 'Shiieeeett…'.</span> <span style="font-style: italic;"><br /><br />It's not all sour-faced noise ethics either. There's enough playfulness in the low-end and cheeky industro-funk mischief going on throughout 'Corrupt My Examiner' to keep it from becoming 'metal kids discover 2-Pac and create Franken-Durst', if you know what I mean. Oh yeah, check out the rewind on 'No Thief' (2:50) for a serious bit of DJ tackle! We can't wait to hear that one destroy the floor…yeah, we'll '…see you in the club…' you chump. An unrelenting sound, (over)loaded with hooks, 'Corrupt My Examiner' is an example of new forms emerging in heavy beat driven music. The identifiable stems of Dead Fader's influences are pretty evident whilst at the same time totally obliterated by their fresh approach. It's a balance of production, chops and attitude that define the style.</span> <span style="font-style: italic;"><br /><br />Dead Fader are that band you leave your kid alone with the CD for five minutes with, to discover the child has put the CD on, and for some reason decided to set fire to their bedroom. Dead Fader will likely make you break things you were previously quite protective of. Go home and burn that laughable bunch of Skinny Puppy you have on tape that your friend who still wears that SS style jacket he's had since you decided he wasn't really your friend but a bit of a dick who likes people to think he's kinda weird but in fact is an ACTUAL dick, copied for you - you should have killed that shit back in the day. And you know it. Too late for that now - it was NEVER good enough. </span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM1UqmpEGIefuzOr8iTcW1tvaKs-0t48IWLoj6s5v2qxkwNgrLAy5Pu7IclBAxDp4XOzXCM2LYtcBA3um20LNT7QgvtZwlCcKqKs3zmB3us1s3fm4aedF6zxblbr8W7jnuLAAk1OsURX0w/s1600/CVANCD003.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM1UqmpEGIefuzOr8iTcW1tvaKs-0t48IWLoj6s5v2qxkwNgrLAy5Pu7IclBAxDp4XOzXCM2LYtcBA3um20LNT7QgvtZwlCcKqKs3zmB3us1s3fm4aedF6zxblbr8W7jnuLAAk1OsURX0w/s200/CVANCD003.jpg" alt="" id="BLOGGER_PHOTO_ID_5465214073577071474" border="0" /></a>ANTONI MAIOVVI<br /><span style="font-style: italic;">The Thorns of Love </span><br /><span style="font-weight: bold;">Caravan CD</span><br />(CVANCD003)<br /><br /><span style="font-style: italic;"><br /><br /><br /><br /><br />Antoni Maiovvi's "The Thorns Of Love" is a Liebes-Arie to a broken heart. An embrace of Italian drama and euphoric fear. His music exists somewhere between Patrick Cowley's Hi-NRG epics, Arthur Russell's melancholic beauty and John Carpenter's traumatizing soundtracks. Antoni Maiovvi is the name by which Anton Maiof unleashes his bastard offspring of disco and psychotronic horror and here with "The Thorns of Love" he has produced a deeply personal symphony to a lover lost and the sanctifying power of the dancefloor. Following the release of the highly acclaimed eponymously titled album from emptyset, Caravan Recordings steps into the ravine of heartache to shine a light on Bristol's underground disco hero Antoni Maiovvi. </span> <span style="font-style: italic;"><br /><br />Antoni Maiovvi is a nefarious creature of the night, a figure of twilight opulence and the love child of Evelyn Thomas and Lucio Fulci conceived in the lurid backrooms of the Boccaccio Club. The sweatbox is in his DNA, throbbing analogue circuitry courses through his flesh like rivers of blood and where his heart once lived there is now only yearning for the alchemical marriage of sex, death and technology. From Naples to Frankfurt he has stalked the dancefloors of Europe planning this moment and at last in this compendium of unbridled fist-clenchers his time has come. Now he will stop at nothing to bring his arpeggiated talisman down onto the souls of men, squeezing out that last breath of humanity in a pulsing Dantean dance-macabre. </span> <span style="font-style: italic;"><br /><br />"The Thorns of Love" (Antoni's 3rd album) takes a unique muscular and cerebral approach to electronic dance music bringing together the Italo love explosion, spine-tingling Euro-horror and the melancholic proto-techno musings of early Model 500 and ShareVari. Maiovvi takes the helm of this noir-tinged Trojan horse carving out a dancefloor machine with commanding synth-work, operatic drums and mind-bending atmospherics. As the album climaxes and the smoke pours across a crowded room he steps out from the shadows and delivers his final eulogy to 20th Century hedonism, preaching with the unhinged vocals of a coked up Bryan Ferry. Love may be the drug but for Maiovvi death can be the only future.<br /></span><span><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9pKZtlZjVDSVUs0FQPG_0Ud6TlA7Fs912gmSgMGKlpPBol8RysMULTBanJ-JxNGbxaIcFfsMsXQGyabrTTPzrdNa-tX1fK4h2O31SWWnooB_HCFn7_qkxtge802GyPMHGE3OM8O3wuhbI/s1600/HAHCD001.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 165px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9pKZtlZjVDSVUs0FQPG_0Ud6TlA7Fs912gmSgMGKlpPBol8RysMULTBanJ-JxNGbxaIcFfsMsXQGyabrTTPzrdNa-tX1fK4h2O31SWWnooB_HCFn7_qkxtge802GyPMHGE3OM8O3wuhbI/s200/HAHCD001.jpg" alt="" id="BLOGGER_PHOTO_ID_5465218205371819330" border="0" /></a><span>ALEX SMOKE</span><span style="font-style: italic;"><br />Lux <br /></span><span style="font-weight: bold;">Hum+Haw CD </span><span style="font-style: italic;"> <br /></span><span>(HAHCD 001</span><span style="font-style: italic;">)<br /><br /><br /><br /><br /><br />Alex Smoke returns with the release of 'Lux', his eagerly anticipated third album on his own Hum+Haw imprint. It has been almost four years since the release of 'Paradolia' and in this time Alex has expanded his studio to incorporate more hardware to fully push the parameters of his sound.'Lux' is the result of his hard work and delves into more abstract and experimental territory whilst retaining the melancholic musicality and cohesion of its predecessors. The development of his own Hum+Haw label has been pivotal in giving him the freedom and opportunity to realise his creative vision and to solidify his reputation as a true electronic music innovator.<br /><br />Since 'Paradolia' his approach to production has changed significantly and on 'Lux' he has devised his own techniques and programs for sound creation. Upon listening to 'Lux' this progression is evident and he has crafted a consuming and haunting album that weaves modern classical harmonies with angular technoid rhythms and intricate electronic abstractions. Alex continues to be active in classical production realm and recently composed the entirely orchestral piece 'Akesis' for the renowned Scottish Ensemble. He is currently working on a new project with them at the moment. The melancholic Smoke sound prevails throughout 'Lux' and deep techno variants nestle alongside evocative electronica. Alex formulates a dense and original atmospheric piece that invades your soul and melts your mind.<br /><br />The tracks range from the introspective beauty of 'Nothing Changes', 'Physic' and 'Filla' to growling floor fillers such as 'Blingkered' and the mighty orchestral 'Paracelsus'. The defining title track 'Lux+' is a next level Alex Smoke production in which he twists and warps his own vocals beyond recognition. The result is an alien scrambled lullaby that has been drowned in a miscreated voodoo pit of symphonic gloom. With 'Lux', Alex Smoke has achieved his most accomplished and forward thinking work to date.<br /><br /></span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-22041693519014410152010-04-28T16:23:00.004+01:002010-04-28T16:29:07.443+01:0019th April 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6ucJwnUq5Nyr1Z-rhkWHQISPmlsK54nJemjNwAM0D3OVRaFoKNIxr7b36YSNMzhYI6n3lniAgyf0I-FBh4VPOKePKzTb34Qqrf9xmNgn6-WFsTSBfAYlRyG07TpYLHviRlzx3Msy6CPZ0/s1600/TECCD008.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6ucJwnUq5Nyr1Z-rhkWHQISPmlsK54nJemjNwAM0D3OVRaFoKNIxr7b36YSNMzhYI6n3lniAgyf0I-FBh4VPOKePKzTb34Qqrf9xmNgn6-WFsTSBfAYlRyG07TpYLHviRlzx3Msy6CPZ0/s200/TECCD008.jpg" alt="" id="BLOGGER_PHOTO_ID_5465210088128959458" border="0" /></a>PURSUIT GROOVES<br /><span style="font-style: italic;">Fox Trot Mannerisms</span><br /><span style="font-weight: bold;">Tectonic MLP/CD</span> <br />(TEC038/TECCD008) <br /><br /><span style="font-style: italic;">1. Pressure 2. Start Somethin </span><br /><span style="font-style: italic;">3. Mr Softee 4. Shabaps </span><br /><span style="font-style: italic;">5. Whisper 6. Tweezers </span><br /><span style="font-style: italic;">7. Cosy* (*CD exclusive)</span><br /><br /><br /><span style="font-style: italic;">Sassy, soulful, funky - original and deep, but above all bumping music that will stand up proud aside the classics of Erykah Badu, Madlib, Georgia Anne Muldrow, Jay Dilla, Sa Ra, even Nick Martinelli's eighties' production. Expect to see Pursuit Grooves more than hold her own amongst a too hot to handle select group of likeminded musics in 2010: dig the new breed of auteurs for hot buttered beats - Fly Lo, Kyle Hall, Ras G, Actress, Cooly G, Shuanise, Nosaj Thing, Illum Sphere….</span><br /><br /><span style="font-style: italic;">'Pressure' drops like a lost Badu & Madlib collaboration, Miss Smith's vocal here is even a little reminiscent of Erykah's considerable stylings and watch out girlfriend, she flows with the best in a style somewhat similar to Bahamadia.'Start Somethin' rocks the downtempo beatdown harder than most, and is the most electronic feeling cut on this album - vicious fuzz basslines, filthy claps, oiled snares and block-rocking cut-up beats. Drop this in a dj set and watch all crew get busy. If you had to pick a single highlight then 'Shabaps' might well be it. A heavyweight hip hop roller, all luscious bass frequencies and cosmic synth drifts, that keeps an upful tempo for maximum bugging fully on lockdown. 'Whisper' dubs it heavy like a feather, all bubbling Mantronik style 808 beats with melting jazz piano drops and sweetly mysterious, softly spoken vocal. 'Tweezers' adds a 2-step electro flex to an LA / Detroit hip hop feel - mind blowing stuff on headphones, only still built for the biggest systems. 'Mister Softee' is perhaps the most traditional sounding hiphop cut - turn out the lights because the delivery here is world class '010, we reach the outro refreshed by a cooling breeze on a mad hot summer day.</span><br /><br /><span style="font-style: italic;">Altogether it makes the best soundtrack to midnight inner-city motoring and yet will work brilliantly at beats driven club situations with its effortless production science to the fore. Unexpected and yet somehow perfectly at home on Tectonic. Props to Pinch for his consummate A&R skill sets, though no doubts this would also bless labels such as Motown, Stones Throw, Hyperdub or even Rush Hour's Beat Dimensions series, where Ms Grooves debuted. In these times of overhyped one-trick, nu-jacks it's a rare blessing indeed to discover such an accomplished and original artist with a vision and flow to ignite flames for all the true school heads and still bring new ears to this stylish music.</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-21576508360763939282010-04-28T13:50:00.009+01:002010-04-28T17:12:32.077+01:0012th April 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjPwszc2biewVa-tvOF5O5-e4dVk-aa4O8VsdmRd-njEPLDylkn3EyHj7L9xuvwlbBMU72uUadtb1fDMx9UWAKKBXkII4OHBNDSW1sau2tq97_vVu31NUaDzH6LFrCH5wH0lE-wOk6EUcp/s1600/mindtours006le.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjPwszc2biewVa-tvOF5O5-e4dVk-aa4O8VsdmRd-njEPLDylkn3EyHj7L9xuvwlbBMU72uUadtb1fDMx9UWAKKBXkII4OHBNDSW1sau2tq97_vVu31NUaDzH6LFrCH5wH0lE-wOk6EUcp/s200/mindtours006le.jpg" alt="" id="BLOGGER_PHOTO_ID_5465175669709683890" border="0" /></a>VARIOUS ARTISTS<br /><span style="font-style: italic;">Mindtours 06 Limited Edition</span>:<br />A1: LEIF 'Contentment'<br />A2: LEIF 'Greenfutures'<br />B1: STEEVIO - 'Ty (pure sinewave)'<br />B2: TOM ELLIS - 'Dancing Drum'<br /><span style="font-weight: bold;"> Mindtours 12"</span><br />(MT 006LE) <span style="font-weight: bold;">SOLD OUT!</span><br /><br /><br /><span style="font-style: italic;">Deepest techniqual house music on this cult classic from the Mindtours collective, the minds behind the summer's excellent Free Rotation festival. Lief, Steevio and Tom Ellis all deliver the goods on this release. Lief 's two cuts push percussive house sounds with deep chords and plenty of groove, sounding like prototype uk funky manouevres from their original release way back in 2003. Steevio and Tom Ellis both deliver a track each on the flip delivering more deep driving percussive house grooves, for fans of early Cadenza music, Roska, Perlon and Drumpoet Community </span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiovStLuaki-o8wt9UeMYHJO5djFudaQ_vChQwYWWM6mxQVjE_ULbycyYiDgGrUXsUg6sCyi-H8keA4qoDTcHDnb4ZGOyCaX4RmQ3-VMCCqHjWu7HUxEeoCjQL8AMJ01C_iXu220H1xn30/s1600/CHBU5H01.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 178px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiovStLuaki-o8wt9UeMYHJO5djFudaQ_vChQwYWWM6mxQVjE_ULbycyYiDgGrUXsUg6sCyi-H8keA4qoDTcHDnb4ZGOyCaX4RmQ3-VMCCqHjWu7HUxEeoCjQL8AMJ01C_iXu220H1xn30/s200/CHBU5H01.jpg" alt="" id="BLOGGER_PHOTO_ID_5465209188856168530" border="0" /></a>DA DYSFUNKSHUNAL FAMILEE<br /><span style="font-style: italic;">Civilized Savages:<br /></span>A1 Savage Life<br />A2 Far From The Average<br />A3 In The House<br />B1 Ill Rhyme Skillz<br />B2 Set It Off<br />B3 Keep Me High <span style="font-style: italic;"> </span><br /><span style="font-weight: bold;">Chopped Herring MLP </span> (CHBU5H 01)<span style="font-style: italic;"><br /><br /><br />"Pro Celebrity Golf by 2004 was spending half his time in London and the other half in NYC digging for wax to sell on Ebay. He'd been hittin up some NICE collections in the rotten apple, one belonging to Rawkus owner Jarret Meyer, one to D&D studios, but in the summer of 2009 he was introduced to Evil Dee and Mr Walt of Da Beatminerz through Bronx digger and MC/Producer Nobs. Golf cut a deal with Da Beatminerz on their record collection.<br /><br />"He was also introduced to Crazy Dj Bazarro, producer of little known Brooklyn Hip Hop crew Da Dysfunkshunal Familee. DDF had released two records in 1994 and one in 1997 and had guested on the Fondle'em Fossils album on Def Jux records. Apart from those releases and some elusive demo tapes from the late 80s there was little of their music commercially available.<br /><br />"Golf was given free reign to choose from both previously released material and unreleased cuts. He chose 3 tracks from the incredibly rare early EPs as well as 3 other unreleased tracks from the shelved 1994 Da Dysfunkshunal Familee LP. The limited vinyl release was sold through underground Hip Hop forums as a preorder-style release. Also check part 2 in the Bushwick series incoming, as Chopped Herring Records release another Da Dysfunkshunal EP of unreleased material from 1996 entitled 'Mixed Emotions '96 Demo EP'.<br /><br />"Da Dysfunkshunal Familee's significance in the New York scene should not be underestimated. They had been making Hip Hop since the late 80s and ran parallel (and often in competition) to Da Beatminerz' produced projects such as Black Moon and Smif n Wessun. While Black Moon were recording for Nervous Records, Da Dysfunkshunal Familee were dropping wax independently on Crazy Dj Bazarro's own label using their connections in the NYC music industry to get their voices heard. It is only now that they are getting props they were due 20 years ago. Read Crazy Dj Bazarro's own breakdown of the tracks released on the Civilized Savages '94 EP below for an insight into the workings of Hip Hop's lost heroes."<br /><br />Words from Crazy DJ Bazarro producer of Da Dysfunkshunal Familee:<br /><br />“You guys have me being very grateful and excited that you love a sound I made up in a cold basement with no real equipment..It almost bringing tears to my eyes because of the memories I had recording these songs. You guys have kept the music alive and resurrected me as a producer to try to keep that same sound alive..90's style...I appreciate all the support and compliments...All I can say is Wow!!</span><span style="font-style: italic;">"<br /></span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-8586691241306397392010-04-09T12:44:00.011+01:002010-04-16T12:00:49.412+01:005th April 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRfdII3VxYwm6tgPOZwE0IEtqdKqdcDnDMh2Jte0OyR0QNlSQ4p7Kel6O9LieCDUavsK-qDUQt-evCWt3jNL7-xV0Q7BhzmjFZJzRITU5pc5__MXt6RuQ1rs8pbmeXHtBdSR4089Uk1VAz/s1600/MIACD012.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRfdII3VxYwm6tgPOZwE0IEtqdKqdcDnDMh2Jte0OyR0QNlSQ4p7Kel6O9LieCDUavsK-qDUQt-evCWt3jNL7-xV0Q7BhzmjFZJzRITU5pc5__MXt6RuQ1rs8pbmeXHtBdSR4089Uk1VAz/s200/MIACD012.jpg" alt="" id="BLOGGER_PHOTO_ID_5458103326746508466" border="0" /></a><a href="http://www.myspace.com/sevendal">FNS</a><br /><span style="font-style: italic;">FNS</span><br /><span style="font-weight: bold;">Miasmah CD</span><br />(MIACD 012)<br /><span style="font-weight: bold;">Miasmah </span><span style="font-weight: bold;">limited edition LP</span><br />(MIALP 012)<br /><span style="font-weight: bold;"></span><br /><span style="font-style: italic;"><br /><br /><br />The latest addition to the Miasmah roster is Oslo based musician FNS aka Fredrik Ness Sevendal. A veteran of the Oslo experimental scene, Sevendal has been associated with several bands over the years: DEL, Slowburn and Kobi. Additionally his previous work has involved collaborations with Makoto Kawabata (Acid Mothers Temple), Mitsuru Tabata (Zeni Geva, Marble Sheep), Mark Francombe (ex-Cranes guitarist), and Bill Wood (1/3 Octave Band).</span> <span style="font-style: italic;">For his Miasmah debut, FNS treats us to a spectacular excursion into the world of psych-folk instrumentals, with a collection of semi-improvised multi-layered pieces, primarily for acoustic and electric guitar and voice. These lo-fi home recordings capture a sense of astral travel, though explorations into drone, raga-styled melodies and layers of guitar feedback. The immediate allure of FNS’s spectral sound is in the understated nature of the performances – it recalls the magnetic interplay between Tom & Christina Carter’s work in Charalambides, the playful free noise of Sunburned Hand Of The Man, the ethereal blues of Loren Connors, and a variety of subtle but undeniable influences from the 70’s progressive UK folk scene. </span> <span style="font-style: italic;">FNS’s sound is a sorrowful sound – a death-fuzz, a hazy wailing wall of cavernous guitars, doom-freakout and swirling psychedelia, melded into one then drowned in echo and haze. FNS fires forth cosmic transmissions for the mind and spirit…the result, is nothing short of an aural treat. </span> <span style="font-style: italic;">Miasmah was set up by Erik K. Skodvin of Deaf Center and Svarte Greiner in 2006 and have to date released albums by artists including Greg Haines, Jasper TX, Simon Scott, Elegi, Kreng, and Rafael Anton Irisarri, Encre, Gultskra Artikler, and Jacaszek.</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSemEknY87xWX68b7OYLBBSUJ5489k7GFYDQs-_j5uuX_-KJKqPnyl7f_ynVCOzvH4-NdMZg0lsyP6ujVW7_afZO4MjUFkQPDNGtTrkmWe8egdtV__G0YRRzx-b2if_Ckqw7T0tZ_iIALs/s1600/DUBK011LP.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 171px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSemEknY87xWX68b7OYLBBSUJ5489k7GFYDQs-_j5uuX_-KJKqPnyl7f_ynVCOzvH4-NdMZg0lsyP6ujVW7_afZO4MjUFkQPDNGtTrkmWe8egdtV__G0YRRzx-b2if_Ckqw7T0tZ_iIALs/s200/DUBK011LP.jpg" alt="" id="BLOGGER_PHOTO_ID_5458104329618411714" border="0" /></a><a href="http://www.myspace.com/dubkasm">DUBKASM</a><br /><span style="font-style: italic;">Transformed In Dub</span><br /><span style="font-weight: bold;">Sufferah's Choice CD<br /></span>(DUBK 011CD)<br /><span style="font-weight: bold;">Sufferah's Choice </span><span style="font-weight: bold;">LP </span><br />(DUBK 011LP)<br /><br /><br /><br /><span style="font-style: italic;"><br />"With the success of last year's Transform I by Dubkasm, the arrival of the versioned album was highly anticipated and it does not disappoint. Building the tracks in Brazil producer Digistep draws from the deep well of his local roots, layering elements of samba, batucada whilst back in Bristol, UK DJ Stryda pulls in rootical heavy weights such as Dub Judah and Tena Stelin to imbue the tracks with some righteous authenticity to produce one of the finest of the finest home-grown dub albums for many a year; and it's an album that stands repeated listens through the whole set as against cherry-picking the killer tracks, but There's A Dub is beautifully constructed in an early 1980s style with judicious use of Syndrum, plangent plucked guitar and lovely loping rhythm whilst the final track This Man Was Born There is an unadorned Dub Judah vocal except for sounds of the weather and forest with nyahbinghi drums."</span> <span style="font-weight: bold;"><br />(Steve Barker, The Wire Magazine)</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-58192479548299699282010-04-06T16:00:00.009+01:002010-04-15T16:24:52.749+01:0022nd March 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcVmT1TyBzApJbXqeTSAbFPPZpG8VKjykzisq2dJXiCKMA15yT-V3B8YY_9l_PvaNw1FgwPF6scywB_hSct4DqRQsI-5-VunWq4V6YNIc1pPdPM8A8DLIKWt5znkoyr_QMyO9ht1hWrBbB/s1600/Peter_Van_Hoesen_-_Entropic_City.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcVmT1TyBzApJbXqeTSAbFPPZpG8VKjykzisq2dJXiCKMA15yT-V3B8YY_9l_PvaNw1FgwPF6scywB_hSct4DqRQsI-5-VunWq4V6YNIc1pPdPM8A8DLIKWt5znkoyr_QMyO9ht1hWrBbB/s200/Peter_Van_Hoesen_-_Entropic_City.jpg" alt="" id="BLOGGER_PHOTO_ID_5457042478857510130" border="0" /></a><a href="http://www.myspace.com/petervanhoesen">PETER VAN HOESEN</a><br /><span style="font-style: italic;">Entropic City</span><br /><span style="font-weight: bold;">Time To Express CD </span><br />(T2X 011)<br /><br /><span style="font-style: italic;"><br /><br /><br /><br /><br />'...amongst techno's most compelling stories to date' </span><span style="font-weight: bold;"><br />(Resident Advisor)</span><br /><br /><span style="font-style: italic;">'As with Pan Sonic, and particularly Mika Vanio’s work on Sahko, Entropic City seems to connect with some older, pre-technological view of electricity – as a primal, unfathomable force, something fierce and untameable. Van Hoesen’s tracks crackle and spark together, as if they’ve been pulled beyond human control</span>'<br /><span style="font-weight: bold;">(FACT Magazine)</span><br /><br /><span style="font-style: italic;">Since his 2006 techno debut 'Increments' Peter Van Hoesen has been finetuning his intriguing interpretation of electronic dance music. His former experimental disguises Object, RM and Bent Object all saw albums released between 2001 and 2005. After a remarkable run of 12'' singles in 2009, Peter now presents Entropic City, his first full-length techno album. Entropic City is released on his own Time To Express imprint as a ten-track CD and digital album. It follows the release of ''Entropic Minus Six'' which contains four of the album's tracks on 12'' vinyl. instead of indulging in a nostalgia for classic sounds and patterns, Peter has set out to create his own template. He brings forward his love for solid, sweaty techno, while at the same time opening up towards a slower, stretched-out sense of composition. As a result this album sums up nicely what techno in 2010 could be and should be about: distinctly forward-looking and simultaneously aware of past achievements. </span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSuUvbNBLSFGU2CQdGnG0SUOurcbHkISAVRX0PpbaL6ye9jIS6qA-gD6PkkaNlYUM6XJkbwSC6U6AsbUf5k1JTobBV8cOJGuLmYOFWEIFsDdQI9avLjla-97qZrF8asWCQRIwcrvk9mf8A/s1600/IL005_350x350.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSuUvbNBLSFGU2CQdGnG0SUOurcbHkISAVRX0PpbaL6ye9jIS6qA-gD6PkkaNlYUM6XJkbwSC6U6AsbUf5k1JTobBV8cOJGuLmYOFWEIFsDdQI9avLjla-97qZrF8asWCQRIwcrvk9mf8A/s200/IL005_350x350.jpg" alt="" id="BLOGGER_PHOTO_ID_5457042614400766834" border="0" /></a><a href="http://www.cmc.ie/composers/composer.cfm?composerID=114">JENNIFER WALSHE</a><br /><span style="font-style: italic;">Nature Data</span><br /><span style="font-weight: bold;">Interval CD </span><br />(IL 05)<br /><br /><br /><br /><br /><br /><br /><span style="font-style: italic;">'Without a doubt, hers is the most original compositional voice to emerge in Ireland in the last 20 years'</span> <span style="font-weight: bold;"><br />(Michael Dervan, the Irish Times)</span><br /><br /><span style="font-style: italic;">Voice – Breath – Signifier; Walshe’s debut release on Interval Recordings signifies the temporary hidden space, the interval, just about to be revealed. ‘Nature Data’, the album’s title, captures Walshe’s unique voice in the field of sonic arts and performance; as a becoming-animal, becoming-nature, her voice, breaths and all occurrences in between, audible and not, signifies that data, as nature, as presence.</span><br /><br /><span style="font-weight: bold;">Artist Biog:</span><br /><span style="font-style: italic;">Jennifer Walshe was born in Dublin, Ireland in 1974. She studied composition with John Maxwell Geddes at the Royal Scottish Academy of Music and Drama, Kevin Volans in Dublin and graduated from Northwestern University, Chicago, with a doctoral degree in composition in June 2002. Jennifer’s work has been performed throughout Europe, the U.S. and Canada by ensembles such as Alter Ego, ensemble récherche, Ensemble Resonanz, Apartment House, ensemble Intégrales, Neue Vocalsolisten Stuttgart, Stuttgarter Kammerorchester, Schlagquartett Köln, Crash Ensemble, Musica Nova Ensemble and many others. In addition to her activities as a composer, Jennifer frequently performs as a vocalist, specializing in extended techniques. Many of her recent compositions were commissioned for her voice in conjunction with other instruments, and her works have been performed by her and others at numerous worldwide festivals. </span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.comtag:blogger.com,1999:blog-4033131005849079410.post-69172864680873662010-03-12T11:26:00.020+00:002010-06-14T12:10:38.535+01:0015th March 2010 Releases<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb-6injwsVMycUzVK1dHZu9exPH7uuotOnwBFBLclqTm__jeWU9tku19jbYLcsro5ZveV6HYCheqTCIzfvj2gF5giv1uPHiWM0088T0TOeI3Rhslky0fiFIz0_0yrx3DWeYjskKy61ad0P/s1600-h/7EVENCD01.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 170px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb-6injwsVMycUzVK1dHZu9exPH7uuotOnwBFBLclqTm__jeWU9tku19jbYLcsro5ZveV6HYCheqTCIzfvj2gF5giv1uPHiWM0088T0TOeI3Rhslky0fiFIz0_0yrx3DWeYjskKy61ad0P/s200/7EVENCD01.jpg" alt="" id="BLOGGER_PHOTO_ID_5447730255860828802" border="0" /></a><span style="font-weight: bold;">F</span><span style="font-style: italic;"> Energy Distortion</span><br /><span style="font-weight: bold;">7EVEN CD</span> (7EVENCD 01)<br />1. Intro 2. Shift* 3. Poka 4. Energy Distortion 5. Another Place* 6. 0907 7. See The Light 8. Forever 9. Hologram* 10. On The Corner<br />11. Chillin' 12. Spacewalker 13. Perspectives <span style="font-style: italic;">(*CD-only tracks)</span><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-w3MLf7yjazGdSSG7-IQKJR6IFl0btwM4ScLxy1pBUMC20ioVazT8fhfc0muP8W6wPLN4Ppwm_AXyi40YmsqY8Rx403-Lt8w3CuspjEnKFmGz2bmrTyV_icN8GenpT0C9qZmApuK0rQhW/s1600-h/7EVEN14-part3.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-w3MLf7yjazGdSSG7-IQKJR6IFl0btwM4ScLxy1pBUMC20ioVazT8fhfc0muP8W6wPLN4Ppwm_AXyi40YmsqY8Rx403-Lt8w3CuspjEnKFmGz2bmrTyV_icN8GenpT0C9qZmApuK0rQhW/s200/7EVEN14-part3.jpg" alt="" id="BLOGGER_PHOTO_ID_5447730552917704994" border="0" /></a><span style="font-weight: bold;">F</span> <span style="font-style: italic;">Energy Distortion Part 3</span>:<br />A. 0907 B1. Poka B2. Forever<br />C. See The Light D. Confined System (Vinyl Exclusive track)<br /><span style="font-weight: bold;">7EVEN 2x12" </span>(7EVEN 014)<br /><br /><span style="font-style: italic;"><br /><br /><br /><br />7even Recordings is proud to present the stunning debut album from French beat master F: ‘Energy Distortion’. Florent Aupetit discovered Drum'n'Bass as a teenager, an early enthusiasm which pushed him straight out to buy records and a pair of decks. Slowly after he set foot on the production path, and began producing Drum'n'Bass tracks on fruity loops. He began to develop a passion and deepen an interest in the emergent style of UK underground music called Dubstep, and eventually started producing Dubstep tracks as recently as 2008. His growing love for Techno, and other minimal forms of Dub led him to combine elements of both musics with Dubstep, with stunning results. French dubstep pioneer and 7even Recordings label head Greg Gouty was immediately captivated by the impeccable levels of production and fresh beats streaming from this talented newcomer. </span><br /><span style="font-style: italic;"></span><br /><span style="font-style: italic;">Traversing different worlds, atmospheres and vibes, including classic unreleased tracks (0907, Poka, On The Corner, Confined System and Hologram) and brand new, unheard material (See The Light, Chillin’, Perspectives and Funk Injection), beautifully cut and loudly mastered by Shawn Joseph and Jacko Adams at Optimum Studios in Bristol, the team resposible for 2009 albums by Martyn and 2562. Packed in a crisp, ultra-fresh cover by Parisian designer David Lollia aka Synaptic, ‘Energy Distortion’ by F is a great album of Electronic Music, a fine listen or spin in multiple formats. </span><br /><br /><span style="font-style: italic;">The CD and Vinyl Editions each contain exclusive tracks for the fans. The Vinyl Edition consists of the sampler 12” and two beautiful double 12”s. Heavy weapons for the dancefloor, and a great album for music lovers!</span><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzXEZMt7Tmfu7uY0BkpAxOajdvw81ExyJYIK5um0ONSRMUYeB6j04k6hrg4jTUjOJTqRHIGgDrrc2NhZ-slkFKjmsGNFiCXQ1RkCwcELWZktx0qB9M1L3G4p7fh-uzyDJ9RjxCdPWzBkLN/s1600-h/LDN016.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzXEZMt7Tmfu7uY0BkpAxOajdvw81ExyJYIK5um0ONSRMUYeB6j04k6hrg4jTUjOJTqRHIGgDrrc2NhZ-slkFKjmsGNFiCXQ1RkCwcELWZktx0qB9M1L3G4p7fh-uzyDJ9RjxCdPWzBkLN/s200/LDN016.jpg" alt="" id="BLOGGER_PHOTO_ID_5447730734482524514" border="0" /></a>SKREAM<br /><span style="font-style: italic;">A. Sweetz (2005 Flex)</span> <span style="font-style: italic;"><br />AA. Angry World</span><br /><span style="font-weight: bold;">Keysound 12" </span><br />(LDN 016)<br /><br /><br /><br /><br /><br /><span style="font-style: italic;">Great anticipation has been building since news filtered out about this new Keysound plate. Two lost classics from Skream are contained, 'Sweetz (2005 Flex)', which as the title suggests is a beat dating back to 2005, really melodic and showing a significant Detroit influence. On the flip is 'Angry World', which is cinematic and swung in a manner most reminiscent of foundation dubstep pioneers Horsepower Productions. Both tunes hark back to a formative early era of dubstep, the times perhaps most associated with Brixton club 3rd Base : an era that we think Dusk and Blackdown will never stop loving. The artwork features, at Skream's own request, a capture of the renowned Big Apple store, epicentre of the dubstep scene.</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcATbdg9oUBZWqlQjrPWr_83DDHOfOxVUYB94mL04pIFoXJU8YS8dNdu80cCg44UTtsxk351QsXz1IIH76uABw0K2xFDRpwOTKCfP7KIkEgeuEi89UJmGjUnVMgQxW3xzhuwBoUE1_mQ0f/s1600-h/cvan011.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 170px; height: 170px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcATbdg9oUBZWqlQjrPWr_83DDHOfOxVUYB94mL04pIFoXJU8YS8dNdu80cCg44UTtsxk351QsXz1IIH76uABw0K2xFDRpwOTKCfP7KIkEgeuEi89UJmGjUnVMgQxW3xzhuwBoUE1_mQ0f/s200/cvan011.jpg" alt="" id="BLOGGER_PHOTO_ID_5447731157780398162" border="0" /></a>OCTOBER<br /><span style="font-style: italic;">Muscle Memory EP</span>:<br /><span style="font-style: italic;">A. Flat Top Muscle</span><br /><span style="font-style: italic;">AA. Memory Man</span><br /><span style="font-weight: bold;">Caravan 12" </span><br />(CVAN011)<br /><br /><span style="font-style: italic;"><br /><br /><br />Laying low in the cut after the much lauded 'Recession Vol.1' mix album and his wrily-titled futuristic crossover 'Euro Dance Hit', Caravan label head honcho Julian Smith aka October returns from deep studio retreat with possibly his best, certainly most forward thinking dance floor record to date. As always October takes a big slice of his inspiration from the Detroit techno sound of the 80's and early 90's which is clearly evident on the second cut on this plate in particular. However you simply cannot ignore his perhaps more euro-centric dub tendencies and broken-beat rhythm principles that always inform his overall composition and production ethos.</span><br /><br /><span style="font-style: italic;">'Flat Top Muscle' is designed for tomorrow's dance floors as well as those murkiest darkest dub corners. Full of analogue synths, vintage guitar pedals, a funk-pulsed Moog bassline and vintage drum module programming, this track is laced with October's distinct signature. Militant in its delivery, this is a killer cut - set to make a big impression on the start of 2010.</span><br /><br /><span style="font-style: italic;">'Memory Man' is definitely the deeper track of the two, warming up the midrange with Detroit-style techno pads and delayed synth lines. Smith again provides that distinct crossover sound injecting some serious broken half-steps as well as his usual meticulous beat and bass programming. This is straight up heavy business to say the least and has already gained support across the globe from the likes of Ewan Pearson, Scuba, Skudge, Sigha, Ripperton, Kevin Gorman amongst others.</span>Baked Goods Distributionhttp://www.blogger.com/profile/09301141170836234947noreply@blogger.com